Louise Françoise de Bourbon in the context of "Princess of Condé"

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⭐ Core Definition: Louise Françoise de Bourbon

Louise Françoise, Duchess of Bourbon (French pronunciation: [lwiz fʁɑ̃swaz]; 1 June 1673 – 16 June 1743) was the eldest surviving legitimised daughter of Louis XIV of France and his maîtresse-en-titre Françoise-Athénaïs, Marquise de Montespan. She was said to have been named after her godmother, Louise de La Vallière, the woman her mother had replaced as the King's mistress. Before her marriage, she was known at court as Mademoiselle de Nantes.

Married at the age of 11, Louise Françoise became known as Madame la Duchesse, a style she kept as a widow. She was Duchess of Bourbon and Princess of Condé by marriage. She was later a leading member of the cabale de Meudon, a group centered on her half-brother Louis, Grand Dauphin. While her son Louis Henri, Duke of Bourbon, was Prime Minister of France, she tried to further her political influence, but to little avail.

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Louise Françoise de Bourbon in the context of Palais Bourbon

The Palais Bourbon (pronounced [pa.lɛ buʁ.bɔ̃]) is the meeting place of the National Assembly, the lower legislative chamber of the French Parliament. It is in the 7th arrondissement of Paris, on the Rive Gauche of the Seine across from the Place de la Concorde. The official address is on the Rue de l'Université, facing the Place du Palais-Bourbon.

The original palace was built beginning in 1722 for Louise Françoise de Bourbon, Duchess of Bourbon, the legitimised daughter of Louis XIV and the Marquise de Montespan. Four successive architects – Lorenzo Giardini, Pierre Cailleteau, Jean Aubert and Ange-Jacques Gabriel – completed the palace in 1728. It was then confiscated from Louis Joseph, Prince of Condé, during the French Revolution and nationalised. From 1795 to 1799, during the Directory, it was the meeting place of the Council of Five Hundred, which chose the government leaders. Beginning in 1806, during Napoleon Bonaparte's First French Empire, Bernard Poyet's Neoclassical façade was added to mirror that of the Église de la Madeleine, facing it across the Seine beyond the Place de la Concorde.

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