Lost literary work in the context of "Pliny the Elder"

The Telegony (Ancient Greek: Τηλεγόνεια or Τηλεγονία, romanized: Tēlegóneia, Tēlegonía) is a lost epic poem of Ancient Greek literature. It is named after Telegonus, the son of Odysseus by Circe, whose name ("born far away") is indicative of his birth on Aeaea, far from Odysseus' home of Ithaca. It was part of the Epic Cycle of poems that recounted the myths of the Trojan War as well as the events that led up to and followed it. The story of the Telegony comes chronologically after that of the Odyssey and is the final episode in the Epic Cycle. The poem was sometimes attributed in antiquity to Cinaethon of Sparta (8th century BC), but in one source it is said to have been stolen from Musaeus by Eugammon of Cyrene (6th century BC) (see Cyclic poets). Its contents are known from surviving summaries by later authors, most notably Eutychius Proclus. The poem comprised two books of verse in dactylic hexameter.

The Catalogue of Women (Ancient Greek: Γυναικῶν Κατάλογος, romanized: Gunaikôn Katálogos)—also known as the Ehoiai (Ancient Greek: Ἠοῖαι, romanized: Ēoîai, Ancient: [ɛː.ôi̯.ai̯])—is a fragmentary Greek epic poem that was attributed to Hesiod during antiquity. The "women" of the title were in fact heroines, many of whom lay with gods, bearing the heroes of Greek mythology to both divine and mortal paramours. In contrast with the focus upon narrative in the Homeric Iliad and Odyssey, the Catalogue was structured around a vast system of genealogies stemming from these unions and, in M. L. West's appraisal, covered "the whole of the heroic age." Through the course of the poem's five books, these family trees were embellished with stories involving many of their members, and so the poem amounted to a compendium of heroic mythology in much the same way that the Hesiodic Theogony presents a systematic account of the Greek pantheon built upon divine genealogies.

Most scholars do not currently believe that the Catalogue should be considered the work of Hesiod, but questions about the poem's authenticity have not lessened its interest for the study of literary, social and historical topics. As a Hesiodic work that treats in depth the Homeric world of the heroes, the Catalogue offers a transition between the divine sphere of the Theogony and the terrestrial focus of the Works and Days by virtue of its subjects' status as demigods. Given the poem's concentration upon heroines in addition to heroes, it provides evidence for the roles and perceptions of women in Greek literature and society during the period of its composition and popularity. Greek aristocratic communities, the ruling elite, traced their lineages back to the heroes of epic poetry; thus the Catalogue, a veritable "map of the Hellenic world in genealogical terms," preserves much information about a complex system of kinship associations and hierarchies that continued to have political importance long after the Archaic period. Many of the myths in the Catalogue are otherwise unattested, either entirely so or in the form narrated therein, and held a special fascination for poets and scholars from the late Archaic period through the Hellenistic and Roman eras.

Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. It concerns the battle between an Argive army, led by seven champions including Polynices who were called the Seven against Thebes, and the army of Thebes led by Eteocles and his supporters. The trilogy won the first prize at the Athens City Dionysia. The trilogy's first two plays, Laius and Oedipus, as well as the satyr play Sphinx, are no longer extant.

Manetho (/ˈmænɪθoʊ/; Koine Greek: Μανέθων Manéthōn, gen.: Μανέθωνος, fl. 290–260 BCE) was an Egyptian priest of the Ptolemaic Kingdom who lived in the early third century BCE, at the very beginning of the Hellenistic period. Little is certain about his life. He is known today as the author of a history of Egypt in Greek called the Aegyptiaca (History of Egypt), written during the reign of Ptolemy I Soter or Ptolemy II Philadelphus (285–246 BCE). None of Manetho’s original texts have survived; they are lost literary works, known only from fragments transmitted by later authors of classical and late antiquity.

The remaining fragments of the Aegyptiaca continue to be a singular resource for delineating Egyptian chronology, more than two millennia since its composition. Until the decipherment of Ancient Egyptian scripts in the early 19th century CE, Manetho's fragments were an essential source for understanding Egyptian history. His work remains of unique importance in Egyptology.

The Gospel of the Hebrews (Koine Greek: τὸ καθ' Ἑβραίους εὐαγγέλιον, romanized: tò kath' Hebraíous euangélion), or Gospel according to the Hebrews, is a lost Jewish–Christian gospel. The text of the gospel is lost, with only fragments of it surviving as brief quotations by the early Church Fathers and in apocryphal writings. The fragments contain traditions of Jesus' pre-existence, incarnation, baptism, and probably of his temptation, along with some of his sayings. Distinctive features include a Christology characterized by the belief that the Holy Spirit is Jesus' Divine Mother and a first resurrection appearance to James, the brother of Jesus, showing high regard for James as the leader of the Jewish Christian church in Jerusalem. It was probably composed in Greek in the first decades of the 2nd century and is believed to have been used by Greek-speaking Jewish Christians in Egypt during that century.

The Gospel of the Hebrews is the only Jewish–Christian gospel that the Church Fathers referred to by name, believing there was only one Hebrew Gospel, perhaps in different versions. This has created confusion as modern scholars believe that the Church Fathers were, in reality, quoting three different gospels. All are known today only from fragments preserved in quotations by the early Church Fathers. Modern scholars have given these three different gospels the working name Gospel of the Hebrews, the Gospel of the Nazarenes, and the Gospel of the Ebionites.

Megasthenes (/mɪˈɡæsθɪniːz/ mi-GAS-thi-neez; Ancient Greek: Μεγασθένης, died c. 290 BCE) was an ancient Greek historian, indologist, diplomat, ethnographer and explorer in the Hellenistic period. He described India in his book Indica, which is now lost, but has been partially reconstructed from literary fragments found in later authors that quoted his work. Megasthenes was the first person from the Western world to leave a written description of India.

Bella Germaniae (English: The History of the Germanic Wars) was a twenty-volume historical work written by the Roman author and commander Pliny the Elder. It is now a lost literary work. The history chronicled the Roman–Germanic wars during the 1st century AD and was written from the perspective of a Roman who had served in Germania.

Bella Germaniae was a significant and respected source, used by later Roman historians such as Plutarch, Tacitus, and Suetonius. Tacitus, in particular, is believed to have used it as a primary source for his own works on the Germanic peoples and wars, including De origine et situ Germanorum and the Annales.