Royal National Theatre in the context of "Waiting for Godot"

⭐ In the context of *Waiting for Godot*, the Royal National Theatre is considered notable for…

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⭐ Core Definition: Royal National Theatre

The National Theatre (NT), officially the Royal National Theatre and sometimes referred to in international contexts as the National Theatre of Great Britain, is a performing arts venue and associated theatre company located in London, England, adjacent to (but not part of) the Southbank Centre. The theatre was founded by Laurence Olivier in 1963 and many well-known actors have since performed with it.

The company was based at The Old Vic theatre in Waterloo until 1976. The current building is located next to the Thames in the South Bank area of central London. In addition to performances at the National Theatre building, it tours productions at theatres across the United Kingdom. The theatre has transferred numerous productions to Broadway and toured some as far as China, Australia and New Zealand. However, touring productions to European cities were suspended in February 2021 over concerns about uncertainty over work permits, additional costs and delays because of Brexit. Permission to add the "Royal" prefix to the name of the theatre was given in 1988, but the full title is rarely used. The theatre presents a varied programme, including Shakespeare, other international classic drama, and new plays by contemporary playwrights. Each auditorium in the theatre can run up to three shows in repertoire, thus further widening the number of plays which can be put on during any one season. However, the post-2020 covid repertoire model became straight runs, required by the imperatives of greater resource efficiency and financial constraint coupled with the preference (and competition for the availability) of creatives working across stage and screen, thus bringing it in line with that of most theatres.

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👉 Royal National Theatre in the context of Waiting for Godot

Waiting for Godot (/ˈɡɒd/ GOD-oh or /ɡəˈd/ gə-DOH) is a tragicomedy play by Irish playwright and writer Samuel Beckett, first published in 1952 by Les Éditions de Minuit. It is Beckett's reworking of his own original French-language play titled En attendant Godot, and is subtitled in English as "A tragicomedy in two acts." The play revolves around the mannerisms of the two main characters, Vladimir (Didi) and Estragon (Gogo), who engage in a variety of thoughts, dialogues and encounters while awaiting the titular Godot, who never arrives. It is Beckett's best-known literary work and is regarded by critics as "one of the most enigmatic plays of modern literature". In a poll conducted by London's Royal National Theatre in the year 1998, Waiting for Godot was voted as "the most significant English-language play of the 20th century."

The original French text was composed between 9 October 1948 and 29 January 1949. The premiere, directed by Roger Blin, was performed at the Théâtre de Babylone [fr], Paris, in January 1953. The English-language version of the play premiered in London in 1955. Though there is only one scene throughout both acts, the play is known for its numerous themes, including those relating to religious, philosophical, classical, social, psychoanalytical, and biographical settings. Beckett later stated that the painting Two Men Contemplating the Moon (1819), by Caspar David Friedrich, was a major inspiration for the play.

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Royal National Theatre in the context of Brian Cox (actor)

Brian Denis Cox (born 1 June 1946) is a Scottish actor. A classically trained Shakespearean actor, he is known for his work on stage and screen. His numerous accolades include two Laurence Olivier Awards, a Primetime Emmy Award, and a Golden Globe Award as well as two nominations for a British Academy Television Award. In the 2003 New Year Honours, he was appointed to the Order of the British Empire at the rank of Commander.

Cox trained at the Dundee Repertory Theatre before becoming a founding member of Royal Lyceum Theatre. He went on to train as a Shakespearean actor, starring in numerous productions with the Royal National Theatre and the Royal Shakespeare Company, where he gained recognition for his portrayal of King Lear. Cox received two Laurence Olivier Awards for Best Actor for his roles in Rat in the Skull (1984), for Royal Court and Titus Andronicus (1988). He received two more Olivier Award nominations for Misalliance (1986) and Fashion (1988).

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Royal National Theatre in the context of Alan Bennett

Alan Bennett (born 9 May 1934) is an English playwright, author, actor and screenwriter. He has received numerous awards and honours including four BAFTA Awards, four Laurence Olivier Awards, and two Tony Awards. In 2005 he received the Society of London Theatre Special Award.

Bennett was born in Leeds and attended Oxford University. He taught medieval history at the university for several years. His work in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame and later a Special Tony Award. He turned to writing full time and gained acclaim with his plays at the Royal National Theatre. The following plays were adapted into films: The Madness of King George (1994), The History Boys (2006), and The Lady in the Van (2015).

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Royal National Theatre in the context of Neil Gaiman

Neil Richard MacKinnon Gaiman (/ˈɡmən/; born Neil Richard Gaiman; 10 November 1960) is an English author of short fiction, novels, comic books, audio theatre, and screenplays. His works include the comic series The Sandman (1989–1996) and the novels Good Omens (1990), Stardust (1999), American Gods (2001), Coraline (2002), Anansi Boys (2005), The Graveyard Book (2008) and The Ocean at the End of the Lane (2013). He co-created the TV adaptations of Good Omens and The Sandman.

Gaiman's awards include Hugo, Nebula, and Bram Stoker awards and Newbery and Carnegie medals. He is the first author to win the Newbery and the Carnegie medals for the same work, The Graveyard Book. The Ocean at the End of the Lane was voted Book of the Year in the British National Book Awards, and it was adapted into an acclaimed stage play at the Royal National Theatre in London.

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Royal National Theatre in the context of Benedict Cumberbatch

Benedict Timothy Carlton Cumberbatch (born 19 July 1976) is an English actor. He has received various accolades, including a BAFTA TV Award, a Primetime Emmy Award and a Laurence Olivier Award, in addition to nominations for two Academy Awards and four Golden Globes. In 2014, Time magazine named him one of the 100 most influential people in the world, and in 2015, he was appointed a CBE for services to performing arts and charity.

Cumberbatch studied drama at the Victoria University of Manchester and obtained a Master of Arts in classical acting at the London Academy of Music and Dramatic Art. He began acting in Shakespearean theatre productions before making his West End debut in Richard Eyre's revival of Hedda Gabler in 2005. Since then, he has starred in Royal National Theatre productions of After the Dance (2010) and Frankenstein (2011), winning the Laurence Olivier Award for Best Actor for the latter. In 2015, he played the title role in Hamlet at the Barbican Theatre.

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Royal National Theatre in the context of Anthony Hopkins

Sir Philip Anthony Hopkins (born 31 December 1937) is a Welsh actor. Considered one of Britain's most recognisable and prolific actors, he is known for his performances on the screen and stage. Hopkins has received numerous accolades, including two Academy Awards, four BAFTA Awards, two Primetime Emmy Awards, and a Laurence Olivier Award. He has also received the Cecil B. DeMille Award in 2005 and the BAFTA Fellowship for lifetime achievement in 2008. He was knighted by Queen Elizabeth II for his services to drama in 1993.

After graduating from the Royal Welsh College of Music & Drama in 1957, Hopkins trained at RADA (the Royal Academy of Dramatic Art) in London. He was then spotted by Laurence Olivier, who invited him to join the Royal National Theatre in 1965. Productions at the National included King Lear (his favourite Shakespeare play), Coriolanus, Macbeth, and Antony and Cleopatra. In 1985, he received acclaim and a Laurence Olivier Award for his performance in the David Hare play Pravda. His last stage play was a West End production of M. Butterfly in 1989.

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Royal National Theatre in the context of Peter O'Toole

Peter James O'Toole (/ˈtl/; 2 August 1932 – 14 December 2013) was an English actor known for his leading roles on stage and screen. His numerous accolades include the Academy Honorary Award, a BAFTA Award, a Primetime Emmy Award, and four Golden Globe Awards as well as nominations for a Grammy Award and a Laurence Olivier Award.

O'Toole started his training at the Royal Academy of Dramatic Art (RADA) in London and began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company. In 1959, he made his West End debut in The Long and the Short and the Tall, and played the title role in Hamlet in the National Theatre's first production in 1963. Excelling on stage, O'Toole was known for his "hellraiser" lifestyle off-stage. He received a nomination for the Laurence Olivier Award for Best Comedy Performance for his portrayal of Jeffrey Bernard in the play Jeffrey Bernard Is Unwell (1990).

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Royal National Theatre in the context of Maggie Smith

Dame Margaret Natalie Smith (28 December 1934 – 27 September 2024) was a British actress. Known for her wit in both comedic and dramatic roles, she had an extensive career on stage and screen for over seven decades and was one of Britain's most recognisable and prolific actresses. She received numerous accolades, including two Academy Awards, five BAFTA Awards, four Emmy Awards, three Golden Globe Awards and a Tony Award, as well as nominations for six Olivier Awards. Smith is one of the few performers to earn the Triple Crown of Acting.

Smith began her stage career as a student, performing at the Oxford Playhouse in 1952, and made her professional debut on Broadway in New Faces of '56. Over the following decades Smith established herself alongside Judi Dench as one of the most significant British theatre performers, working for the National Theatre and the Royal Shakespeare Company. On Broadway, she received the Tony Award for Best Actress in a Play for Lettice and Lovage (1990). She was Tony-nominated for Noël Coward's Private Lives (1975) and Tom Stoppard's Night and Day (1979).

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Royal National Theatre in the context of Joan Plowright

Joan Ann Olivier, Baroness Olivier (née Plowright; 28 October 1929 – 16 January 2025), commonly known as Dame Joan Plowright, was an English actress whose career spanned over six decades. She received several accolades including two Golden Globe Awards, an Olivier Award, and a Tony Award as well as nominations for an Academy Award, two BAFTA Awards, and a Primetime Emmy Award. She was made a Dame by Queen Elizabeth II in 2004.

Plowright studied at the Old Vic Theatre School before acting onstage at the Royal National Theatre where she met her husband Laurence Olivier. She acted opposite him in the John Osborne play The Entertainer on the West End in 1957 and on Broadway in 1958. She earned the Tony Award for Best Actress in a Play for her A Taste of Honey (1961). She won the Laurence Olivier Award for Filumena (1978).

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