List of oral repositories in the context of "Traditional knowledge"

Oral tradition, or oral lore, is a form of human communication in which knowledge, art, beliefs, ideas and culture are received, preserved, and transmitted orally from one generation to another. The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry. The information is mentally recorded by oral repositories, sometimes termed "walking libraries", who are usually also performers. Oral tradition is a medium of communication for a society to transmit oral history, oral literature, oral law and other knowledge across generations without a writing system, or in parallel to a writing system. It is the most widespread medium of human communication. They often remain in use in the modern era throughout for cultural preservation.

Religions such as Buddhism, Hinduism, Catholicism, and Jainism have used oral tradition, in parallel to writing, to transmit their canonical scriptures, rituals, hymns and mythologies. African societies have broadly been labelled oral civilisations, contrasted with literate civilisations, due to their reverence for the oral word and widespread use of oral tradition.

African historiography is a branch of historiography involving the study of the theories, methods, sources, and interpretations used by scholars to construct histories of Africa. Most African societies recorded their history via oral tradition, resulting in a lack of written records documenting events before European colonialism. African historiography has therefore lent itself to contemporary methods of historiographical study, the utilisation of oral sources, and the incorporation of evidence derived from various auxiliary disciplines, differentiating it from other continental areas of historiography due to its multidisciplinary nature.

Oral historians utilised various sources from their communities in crafting socially-consolidated histories which were then passed down through generations, with traditions serving as contemporary documents of messages from the past. Early written history about Africa was largely undertaken by outsiders, each of which had their own biases. Colonial historiography was Eurocentric and propagated racist theories such as the Hamitic hypothesis. African historiography became organised in the mid-20th century, and initially involved the refutation of colonial narratives. Nationalist histories sought to generate patriotism and sustain the multi-ethnic nation states, and African historiography saw a movement towards utilising oral sources in a multidisciplinary approach alongside archaeology and historical linguistics. Following growing pessimism about the fate of the continent, Marxist thought became popular, and contributed to a more critical study of colonialism. From 1981 UNESCO began publishing the General History of Africa, edited by specialists from across the continent. The 1980s saw universities struggle amid economic and political crises, resulting in the migration of many scholars (largely to the United States), and the discipline remains critically underfunded. Historians of Africa in the 21st century focus more on contemporary history than precolonial history, and are less ideological than their predecessors as the discipline has taken on a more pluralist form.

The Greek word aoidos (ἀοιδός; plural: aoidoi, ἀοιδοί) referred to a classical Greek singer. In modern Homeric scholarship, it is used by some as the technical term for a skilled oral epic poet in the tradition to which the Iliad and Odyssey are believed to belong (compare rhapsode).

In Celtic cultures, a bard is an oral repository and professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities.

With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832).

A griot (/ˈɡriːoʊ/; French: [ɡʁi.o]; Manding: jali or jeli (in N'Ko: ߖߋ߬ߟߌ, djeli or djéli in French spelling); also spelt Djali; Serer: paar or kevel or kewel / okawul; Wolof: gewel) is a West African historian, storyteller, praise singer, poet, and/or musician. Griots are masters of communicating stories and history orally, which is an African tradition.

Instead of writing history books, oral historians tell stories of the past that they have memorized. Sometimes there are families of historians, and the oral histories are passed down from one generation to the next. Telling a story out loud allows the speaker to use poetic and musical conventions that entertain an audience. This has contributed to many oral histories surviving for hundreds of years without being written down.

Australian Aboriginal elders in the context of Aboriginal and Torres Strait Islander culture, is defined as "someone who has gained recognition as a custodian of knowledge and lore, and who has permission to disclose knowledge and beliefs". They may be male or female, and of any age, but must be trusted and respected by their community for their wisdom, cultural knowledge and community service. Elders provide support for their communities in the form of guidance, counselling and knowledge, which help tackle problems of health, education, unemployment and racism, particularly for younger people. They may be distinguished as one of two types: community elders and traditional elders. Elders play an important role in maintenance of culture, songs, oral histories, sacred stories, Aboriginal Australian languages, and dance, and are also educators who demonstrate leadership and skills in resolving conflicts. Elders also preside over ceremonies and other spiritual practices, and attend to the health and well-being of young people.

Elders are sometimes addressed by other Aboriginal people as Uncle or Aunty as a mark of respect. The honorific may be used by non-Aboriginal people, but generally only when permission is given to do so.