Griot in the context of "List of oral repositories"

Rapping (also dropping, rhyming, flowing, spitting, emceeing, or MCing) is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content" (what is being said, e.g., lyrics), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music".

Precursors to modern rap music include the West African griot tradition, certain vocal styles of blues and jazz, an African-American insult game called playing the dozens (see Battle rap and Diss), and 1960s African-American poetry. Stemming from the hip-hop cultural movement, rap music originated in the Bronx, New York City, in the early 1970s and became part of popular music later that decade. Rapping developed from the announcements made over the microphone at parties by DJs and MCs, evolving into more complex lyrical performances.

Conflict is a major element of narrative or dramatic structure in literature, particularly European and European diaspora literature starting in the 20th century, that adds a goal and opposing forces to add uncertainty as to whether the goal will be achieved. In narrative, conflict delays the characters and events from reaching a goal or set of goals. This may include main characters or it may include characters around the main character.

Despite this, conflict as a concept in stories is not universal as there are story structures that are noted to not center conflict such as griot, morality tale, kishōtenketsu, ta'zieh and so on.

The Mali Empire (Manding: Mandé or Manden Duguba; Arabic: مالي, romanized: Mālī) was an empire in West Africa from c. 1226 to 1610. The empire was founded by Sundiata Keita (c. 1214 – c. 1255) and became renowned for the wealth of its rulers, especially Mansa Musa (Musa Keita). At its peak, Mali was the largest empire in West Africa, widely influencing the culture of the region through the spread of its language, laws, and customs.

The empire began as a small Mandinka kingdom at the upper reaches of the Niger River, centered around the Manding region. It began to develop during the 11th and 12th centuries as the Ghana Empire, or Wagadu, declined and trade epicentres shifted southward. The history of the Mali Empire before the 13th century is unclear, as there are conflicting and imprecise accounts by both Arab chroniclers and oral traditionalists. The first ruler for which there is accurate written information is Sundiata Keita, a warrior-prince of the Keita dynasty who was called upon to free the local people from the rule of the king of the Sosso Empire, Soumaoro Kanté. The conquest of Sosso in c. 1235 marked the emergence of Mali as a major power, with the Kouroukan Fouga as its constitution.

Sundiata Keita (Mandinka, Malinke: [sʊndʒæta keɪta]; c. 1217 – c. 1255, N'Ko spelling: ߛߏ߲߬ߖߘߊ߬ ߞߋߕߊ߬; also known as Manding Diara, Lion of Mali, Sogolon Djata, son of Sogolon, Nare Maghan and Sogo Sogo Simbon Salaba) was a prince and founder of the Mali Empire. He was also the great-uncle of the Malian ruler Mansa Musa, who is usually regarded as the wealthiest person of all time, although there are no reliable ways to accurately calculate his wealth.

Written sources augment the Mande oral histories, with the Moroccan traveller Muhammad ibn Battúta (1304–1368) and the Tunisian historian Ibn Khaldun (1332–1406) both having travelled to Mali in the century after Sundiata's death, and providing independent verification of his existence. The semi-historical but legendary Epic of Sundiata by the Malinké/Maninka people centers on his life. The epic poem is primarily known through oral tradition, transmitted by generations of Maninka griots (djeli or jeliw). The Manden Charter issued during his reign is listed by UNESCO as one of an intangible cultural heritage.

The Mandinka or Malinke are a West African ethnic group primarily found in southern Mali, The Gambia, southern Senegal and eastern Guinea. Numbering about 15 million, they are the largest subgroup of the Mandé peoples and one of the largest ethnolinguistic groups in Africa. They speak the Manding languages in the Mande language family, which are a lingua franca in much of West Africa. They are predominantly subsistence farmers and live in rural villages. Their largest urban center is Bamako, the capital of Mali.

The Mandinka are the descendants of the Mali Empire, which rose to power in the 13th century under the rule of king Sundiata Keita, who founded an empire that would go on to span a large part of West Africa. They migrated west from the Niger River in search of better agricultural lands and more opportunities for conquest. Nowadays, the Mandinka inhabit the West Sudanian savanna region extending from The Gambia and the Casamance region in Senegal, Mali, Guinea and Guinea Bissau. Although widespread, the Mandinka constitute the largest ethnic group only in the countries of Mali, Guinea and The Gambia. Most Mandinka live in family-related compounds in traditional rural villages. Their traditional society has featured socially stratified castes. Mandinka communities have been fairly autonomous and self-ruled, being led by a chief and group of elders. Mandinka has been an oral society, where mythologies, history and knowledge are verbally transmitted from one generation to the next. Their music and literary traditions are preserved by a caste of griots, known locally as jalolu (singular, jali), as well as guilds and brotherhoods like the donso (hunters).