Lionel Monckton in the context of "The Shop Girl"

The Geisha, a story of a tea house is an Edwardian musical comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philp.

The Geisha opened in 1896 at Daly's Theatre in London's West End, produced by George Edwardes. The original production had the second longest run of any musical up to that time. The cast starred Marie Tempest and C. Hayden Coffin, with dancer Letty Lind and comic Huntley Wright. The show was an immediate success abroad, with an 1896 production starring Dorothy Morton in New York and numerous tours and productions in Europe and beyond. It continued to be popular until World War II and even beyond to some degree. The most famous song from the show is "The Amorous Goldfish".

The Arcadians is an Edwardian musical comedy styled a "Fantastic Musical Play" in three acts with a book by Mark Ambient and Alexander M. Thompson, lyrics by Arthur Wimperis, and music by Lionel Monckton and Howard Talbot. The story concerns some idyllic Arcadians who wish to transform wicked London to a land of truth and simplicity.

First produced by Robert Courtneidge, the musical opened at the Shaftesbury Theatre in London, on 29 April 1909, and ran for 809 performances. This was the third longest run for any musical theatre piece up to that time. The production starred Phyllis Dare, Dan Rolyat and Florence Smithson. A Broadway production opened in 1910 and ran for 193 performances. The piece was toured extensively, revived professionally in Britain, and a silent film version was made in 1927. It was popular with amateur theatre groups, particularly in Britain, throughout the 20th century. Recordings of some of its numbers were made in 1909 and 1915 by original members of the London cast, and more substantial excerpts and one complete performance have been released on compact disc.

Our Miss Gibbs is an Edwardian musical comedy in two acts by 'Cryptos' and James T. Tanner, with lyrics by Adrian Ross and Percy Greenbank, music by Ivan Caryll and Lionel Monckton. Produced by George Edwardes, it opened at the Gaiety Theatre in London on 23 January 1909 and ran for an extremely successful 636 performances. It starred Gertie Millar, Edmund Payne and George Grossmith, Jr. The young Gladys Cooper played the small role of Lady Connie.

The show also had a short Broadway run in 1910. It was revived at the Finborough Theatre, London, in May 2006. This was the first professional London production since 1910. The piece was regularly revived by amateur theatre groups, particularly in Britain, from the 1920s into the 1950s but it has been produced only rarely since then. Our Miss Gibbs was revived by the Lyric Theatre in July and August 2011 at the Mountain View Center for the Performing Arts and the Lesher Center for the Arts in Walnut Creek, California. The revival featured a cast of 22 and a 9-piece orchestra. [1]

The Quaker Girl is an Edwardian musical comedy in three acts with a book by James T. Tanner, lyrics by Adrian Ross and Percy Greenbank, and music by Lionel Monckton. In its story, The Quaker Girl contrasts dour Quaker morality with Parisienne high fashion. The protagonist, Prudence, is thrown out of her house by her quaker parents for drinking a glass of champagne. Later, in Paris, her simple grey dress and bonnet become the height of fashion.

The musical opened at the Adelphi Theatre in London on 5 November 1910 and ran for an extremely successful 536 performances. It starred Gertie Millar and C. Hayden Coffin. Phyllis Dare starred in the Paris production in 1911. It then opened at the Park Theatre on Broadway on 23 October 1911, running for a successful 240 performances. A revised version was produced at the London Coliseum on 25 May 1944, but the run was interrupted by bombing. The piece then toured the British provinces and soon re-opened in London at the Stoll Theatre in February, 1945, followed by extensive touring until December, 1948. The piece was popular with amateur theatre groups, particularly in Britain, from the 1920s until 1990, receiving over 250 UK productions during that period, but it has been produced only sporadically since then.