Linear Pottery culture in the context of "Ertebølle culture"

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⭐ Core Definition: Linear Pottery culture

The Linear Pottery culture (LBK) is a major archaeological horizon of the European Neolithic period, flourishing c. 5500–4500 BC. Derived from the German Linearbandkeramik, it is also known as the Linear Band Ware, Linear Ware, Linear Ceramics or Incised Ware culture, falling within the Danubian I culture of V. Gordon Childe.

Most cultural evidence has been found on the middle Danube, the upper and middle Elbe, and the upper and middle Rhine. It represents a major event in the initial spread of agriculture in Europe. The pottery consists of simple cups, bowls, vases, jugs without handles and, in a later phase, with pierced lugs, bases, and necks.

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👉 Linear Pottery culture in the context of Ertebølle culture

The Ertebølle culture (c. 5,400 BCE – 3,950 BCE) (Danish pronunciation: [ˈɛɐ̯təˌpølə]) is a hunter-gatherer and fisher, pottery-making culture dating to the end of the Mesolithic period. The culture was concentrated in Southern Scandinavia. It is named after the type site, a location in the small village of Ertebølle on Limfjorden in Danish Jutland. In the 1890s the National Museum of Denmark excavated heaps of oyster shells there, mixed with mussels, snails, bones, and artefacts of bone, antler, and flint, which were evaluated as kitchen middens (Danish køkkenmødding), or refuse dumps. Accordingly, the culture is less-commonly named the Kitchen Midden. As it is approximately identical to the Ellerbek culture of Schleswig-Holstein, the combined name, Ertebølle-Ellerbek is often used. The Ellerbek culture (German Ellerbek-Kultur) is named after a type site in Ellerbek, a community on the edge of Kiel, Germany.

In the 1960s and 1970s another closely related culture was found in the (now dry) Noordoostpolder in the Netherlands, near the village Swifterbant and the former island of Urk. Named the Swifterbant culture (5,300 – 3,400 BCE) they show a transition from hunter-gatherer to both animal husbandry, primarily cows and pigs, and cultivation of barley and emmer wheat. During the formative stages contact with nearby Linear Pottery culture settlements in Limburg has been detected. Like the Ertebølle culture, they lived near open water, in this case creeks, riverdunes, and bogs along post-glacial banks of the Overijsselse Vechte. Recent excavations including the "Trijntje" skeleton show a local continuity going back to (at least) 5,600 BCE, when burial practices resembled the contemporary gravefields in Denmark and South Sweden "in all details", suggesting only part of a diverse ancestral "Ertebølle"-like heritage was locally continued into the later (Middle Neolithic) Swifterbant tradition (4,200 – 3,400 BCE).

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Linear Pottery culture in the context of Danube civilization

Old Europe is a term coined by the Lithuanian-American archaeologist Marija Gimbutas to describe what she perceived as a relatively homogeneous pre-Indo-European Neolithic and Copper Age culture or civilisation in Southeast Europe, centred in the Lower Danube Valley. Old Europe is also referred to in some literature as the Danube civilisation.

The term Danubian culture was earlier coined by the archaeologist Vere Gordon Childe to describe early farming cultures (e.g. the Linear Pottery culture) which spread westwards and northwards from the Danube Valley into Central and Eastern Europe.

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Linear Pottery culture in the context of Starčevo culture

The Starčevo culture is an archaeological culture of Southeastern Europe, dating to the Neolithic period between c. 6200 and 4500 BCE. It originates in the spread of the Neolithic package of peoples and technological innovations including farming and ceramics from Asia Minor to the area of Sesklo. The Starčevo culture marks its spread to the inland Balkan peninsula as the Cardial ware culture did along the Adriatic coastline. It forms part of the wider Starčevo–Criş culture which gave rise to the central European Linear Pottery culture c. 700 years after the initial spread of Neolithic farmers towards the northern Balkans.

The Starčevo site, the type site, is located on the north bank of the Danube near the village of Starčevo in Serbia (Vojvodina province), opposite Belgrade.

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Linear Pottery culture in the context of Danubian culture

The term Danubian culture was coined by the Australian archaeologist Vere Gordon Childe to describe the first agrarian society in Central Europe and Eastern Europe. It covers the Linear Pottery culture (Linearbandkeramik, LBK), stroked pottery and Rössen cultures.

The beginning of the Linear Pottery culture dates to around 5500 BC. It appears to have spread westwards along the valley of the river Danube and interacted with the cultures of Atlantic Europe when they reached the Paris Basin.

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Linear Pottery culture in the context of History of Hungary before the Hungarian Conquest

The history of Hungary before the Hungarian conquest spans the time period before the Hungarian conquest in the 9th century of the territories that would become the Principality of Hungary and the Kingdom of Hungary.

The first known traces belong to the Homo heidelbergensis, with scarce or nonexistent evidence of human presence until the Neanderthals around 100,000 years ago. Anatomically modern humans arrived at the Carpathian Basin before 30,000 BC and belonged to the Aurignacian group. The rest of the Stone Age is marked by minimal or not-yet-processed archeological evidence, with the exception of the Linear Pottery culture—the "garden type civilization" that introduced agriculture to the Carpathian Basin.

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Linear Pottery culture in the context of Stroke-ornamented ware culture

The Stroke-ornamented ware (culture) or (German) Stichbandkeramik (abbr. STK or STbK), Stroked Pottery culture, Danubian Ib culture of V. Gordon Childe, or Middle Danubian culture is the successor of the Linear Pottery culture, a major archaeological horizon of the European Neolithic in Central Europe. The STK flourishes during approximately 4900-4400 BC.Centered on Silesia in Poland, eastern Germany, and the northern Czech Republic, it overlaps with the Lengyel horizon to the south and the Rössen culture to the west.

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