Libertine in the context of "John Wilkes"

Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni (Italian), is a legendary fictional Spanish libertine who devotes his life to seducing women.

The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina. The play includes most of the elements found and later adapted in subsequent works, including the setting (Seville), the characters (Don Juan, his servant, his love interest, and her father, whom he kills), moralistic themes (honor, violence and seduction, vice and retribution), and the dramatic ending in which Don Juan dines with and is then dragged down to hell by the stone statue of the father he had previously slain. Tirso de Molina's play was subsequently adapted into numerous plays and poems, of which the most famous include a 1665 play, Dom Juan, by Molière; a 1787 opera, Don Giovanni, with music by Mozart and a libretto by Lorenzo da Ponte largely adapting Tirso de Molina's play; a satirical and epic poem, Don Juan, by Lord Byron; and Don Juan Tenorio, a romantic play by José Zorrilla.

Don Giovanni (Italian pronunciation: [ˈdɔn dʒoˈvanni]; K. 527; full title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra. It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. Don Giovanni is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte".

Marguerite Louise d'Orléans (28 July 1645 – 17 September 1721) was a French princess who became grand duchess of Tuscany as the wife of Grand Duke Cosimo III de' Medici.

Libertine and unruly in conduct from an early age, her relations with her husband and his family were tempestuous and often bitter, with repeated appeals for mediation to Louis XIV. Nevertheless, three children were born to the couple: Grand Prince Ferdinando, Electress Palatine Anna Maria Luisa, and Grand Duke Gian Gastone.

A sex swing (also known as a sling) is a type of harness designed to allow sexual intercourse between one partner suspended by the swing and another who moves freely. Though there is considerable variety in the design, the most common sex swings have a support for the back, another for the buttocks, and stirrups for each leg, which can be adjusted whilst the user is suspended.

Hubert Bland (3 January 1855 – 14 April 1914) was an English author. He was known for being an infamous libertine, a journalist, an early English socialist, and one of the founders of the Fabian Society. He was the husband of Edith Nesbit.

Dom Juan ou le Festin de Pierre ("Don Juan or The Feast of Stone") is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently had murdered; the statue accepts and reciprocates Dom Juan's invitation. In the course of their second evening, the stone statue of the murdered man charms, deceives, and leads Dom Juan to Hell.

Molière's comedy derives from the Spanish play The Trickster of Seville and the Stone Guest (1630), by Tirso de Molina, but each playwright presents a different interpretation of the libertine protagonist. Molière's Dom Juan is a French man who admits to being an atheist and a free-thinker; whereas, de Molina's Don Juan is a Spanish man who admits to being Catholic, and believes that repentance for and forgiveness of sin are possibilities that will admit him to Heaven, but death arrives early, and thwarts his avoiding moral responsibility for a dissolute life; in both the Spanish and the French versions of the comedy, Dom Juan goes to Hell.

Donatien Alphonse François, Marquis de Sade (/sɑːd, sæd/ SA(H)D; French: [dɔnasjɛ̃ alfɔ̃z fʁɑ̃swa maʁki də sad]; 2 June 1740 – 2 December 1814) was a French writer, libertine, political activist, and nobleman best known for his libertine novels and imprisonment for sex crimes, blasphemy, and pornography. His works include novels, short stories, plays, dialogues, and political tracts. Some of these were published under his own name during his lifetime, but most appeared anonymously or posthumously.

Born into a noble family dating from the 13th century, Sade served as an officer in the Seven Years' War before a series of sex scandals led to his detention in various prisons and insane asylums for most of his adult life. During his first extended imprisonment from 1777 to 1790, he wrote a series of novels and other works, some of which his wife smuggled out of prison. On his release during the French Revolution, he pursued a literary career and became politically active, first as a constitutional monarchist then as a radical republican. During the Reign of Terror, he was imprisoned for moderatism and narrowly escaped the guillotine. He was re-arrested in 1801 for his pornographic novels and was eventually incarcerated in the Charenton insane asylum, where he died in 1814.

In a historical context, a rake (short for rakehell, analogous to "hellraiser") was a man who was habituated to immoral conduct, particularly womanizing. Often, a rake was also prodigal, wasting his (usually inherited) fortune on gambling, wine, women, and song, and incurring lavish debts in the process. Cad is a closely related term. Comparable terms are "libertine" and "debauché".

The Restoration rake was a carefree, witty, sexually irresistible aristocrat whose heyday was during the English Restoration period (1660–1688) at the court of King Charles II. They were typified by the "Merry Gang" of courtiers, who included as prominent members John Wilmot, George Villiers, and Charles Sackville, who combined riotous living with intellectual pursuits and patronage of the arts. At this time the rake featured as a stock character in Restoration comedy.