Leo von Klenze in the context of "Odeonsplatz"

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⭐ Core Definition: Leo von Klenze

Leo von Klenze (born Franz Karl Leopold von Klenze; 29 February 1784 – 26 January 1864) was a German architect and painter. He was the court architect of Ludwig I of Bavaria.

Von Klenze was a devotee of Neoclassicism and one of the most prominent representatives of Greek Revival style.

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👉 Leo von Klenze in the context of Odeonsplatz

48°08′32″N 11°34′39″E / 48.1422°N 11.5775°E / 48.1422; 11.5775

The Odeonsplatz is a large square in central Munich which was developed in the early 19th century by Leo von Klenze and is at the southern end of the Ludwigstraße, developed at the same time. The square is named for the former concert hall, the Odeon, on its northwestern side. The name Odeonsplatz has come to be extended to the parvis (forecourt) of the Residenz, in front of the Theatine Church and terminated by the Feldherrnhalle, which lies to the south of it. The square was the scene of a fatal gun battle which ended the march on the Feldherrnhalle during the 1923 Beer Hall Putsch.

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Leo von Klenze in the context of Athena Promachos

The Athena Promachos (Ἀθηνᾶ Πρόμαχος, "Athena who fights in the front line") was a colossal bronze statue of Athena sculpted by Phidias, which stood between the Propylaea and the Parthenon on the Acropolis of Athens. Athena was the tutelary deity of Athens and the goddess of wisdom and warriors. Pheidias also sculpted two other figures of Athena on the Acropolis, the huge gold and ivory ("chryselephantine") cult image of Athena Parthenos in the Parthenon and the Lemnian Athena.

The designation Athena Promachos is not attested before a dedicatory inscription of the early fourth century CE; Pausanias (1.28.2) referred to it as "the great bronze Athena" on the Acropolis.

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Leo von Klenze in the context of Glyptothek

The Glyptothek (German: [ɡlʏptoˈteːk] ) is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- glypto- "sculpture", from the Greek verb γλύφειν glyphein "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal.

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Leo von Klenze in the context of Ruhmeshalle

The Ruhmeshalle (German pronunciation: [ˈʁuːməsˌhalə], lit.'Hall of Fame') is a Doric colonnade with a main range and two wings, designed by Leo von Klenze for Ludwig I of Bavaria. Built in 1853, it is situated on an ancient ledge above the Theresienwiese in Munich and was built as part of a complex which also includes the Bavariapark and the Bavaria statue. It is built of Kelheim limestone and is 68 metres long and 32 metres deep.

With the construction and exhibition of busts of important people from Bavaria, including the Palatinate, Franconia and Swabia, King Ludwig intended to create a hall of fame that honors laudable and distinguished people of his kingdom, as he did also in the Walhalla memorial for all of Germany.

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Leo von Klenze in the context of Walhalla (memorial)

The Walhalla (German pronunciation: [valˈhala] ) is a hall of fame monument in Bavaria that honours laudable and distinguished people in German history – "politicians, sovereigns, scientists and artists of the German tongue"; While all new inductees since 1890 have been Germans or German-speakers, several earlier honorees came from outside modern Germany, which had not yet been established when the monument was built. Their inclusion reflects a 19th-century, still evolving, more loosely defined concept of "Germanness", one that would today be seen as conflating the term "German" with the much broader notion of having spoken a Germanic language or being of partial or supposed German ancestry.

The Walhalla memorial is named for the Valhǫll of Norse Paganism. It was conceived in 1807 by Crown Prince Ludwig I of Bavaria in order to support the gathering momentum for the unification of the many German states into the German Empire. Following his accession to the throne of Bavaria, construction took place between 1830 and 1842 under the supervision of the architect Leo von Klenze. The memorial displays some 65 plaques and 130 busts covering 2,000 years of history, beginning with Arminius, victor at the Battle of the Teutoburg Forest in the year 9 AD.

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Leo von Klenze in the context of Allerheiligen-Hofkirche

The Allerheiligen-Hofkirche (Court Church of All Saints) is a Catholic church in the Munich Residenz designed by Leo von Klenze and built between 1826 and 1837.

The church was badly damaged from bombing during World War II and for decades remained a ruin before undergoing partial restoration and secularization. It is now used for concerts and events.

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Leo von Klenze in the context of Odeon (Munich)

The Odeon is a former concert hall in the Odeonsplatz in Munich, Bavaria, Germany, which is named after it. Built in the early 19th century to a design by Leo von Klenze and forming a counterpoint to the externally identical Palais Leuchtenberg, it was rebuilt after being almost totally destroyed in World War II and now houses the Bavarian Ministry of the Interior.

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