Latin poetry in the context of "Catullus"

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⭐ Core Definition: Latin poetry

The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus, the earliest surviving examples of Latin literature, are estimated to have been composed around 205–184 BC.

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👉 Latin poetry in the context of Catullus

Gaius Valerius Catullus (Classical Latin: [ˈɡaːius waˈlɛrius kaˈtullus]; c. 84 – c. 54 BC), known as Catullus (kə-TUL-əs), was a Latin neoteric poet of the late Roman Republic. His surviving works remain widely read due to their popularity as teaching tools and because of their personal or sexual themes.

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Latin poetry in the context of Statius

Publius Papinius Statius (Greek: Πόπλιος Παπίνιος Στάτιος; /ˈstʃiəs/, Latin: [ˈstaːtiʊs]; c. 45c. 96) was a Latin poet of the 1st century CE. His surviving poetry includes an epic in twelve books, the Thebaid; a collection of occasional poetry, the Silvae; and an unfinished epic, the Achilleid. He is also known for his appearance as a guide in the Purgatory section of Dante's epic poem, the Divine Comedy.
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Latin poetry in the context of Metrical foot

The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapaest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation.

A metrical foot is, in classical poetry, a combination of two or more short or long syllables in a specific order; although this "does not provide an entirely reliable standard of measurement" in heavily accented Germanic languages such as English. In these languages it is defined as a combination of one stressed and one or two unstressed syllables in a specific order.

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Latin poetry in the context of Varro Atacinus

Publius Terentius Varro Atacinus (Latin: [ˈpuːbliʊs tɛˈrɛntiʊs ˈwarːoː atakiːnʊs]; 82 – c. 35 BC) was a Roman poet, more polished in his style than the more famous and learned Varro Reatinus, his contemporary, and therefore more widely read by the Augustan writers. He was born in the province of Gallia Narbonensis, the southern part of Gaul with its capital at Narbonne, on the river Atax (now the Aude), for his cognomen Atacinus indicates his birthplace. Varro Atacinus was also in the neoteric circle, which included other notable poets such as Catullus and Marcus Furius Bibaculus.

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Latin poetry in the context of Archilochian

Archilochian or archilochean is a term used to describe several metres of Ancient Greek and Latin poetry. The name is derived from Archilochus, whose poetry first uses the rhythms.

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Latin poetry in the context of Dactylic pentameter

The dactylic pentameter is a verse-form which, in classical Greek and Latin poetry, follows a dactylic hexameter to make up an elegiac couplet. It features two halves, each consisting of two dactyls, for which spondees can be substituted in the first half only, followed by a longum. Thus the line most normally looks as follows (note that "—" marks a long syllable, "∪" a short syllable and " ∪ ∪ " either one long or two shorts):

As in all classical verse-forms, the phenomenon of brevis in longo is observed, so the last syllable can actually be short or long. Also, the line has a diaeresis, where a word boundary must occur, after the first half-line, here marked ||.

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Latin poetry in the context of Polish alexandrine

Polish alexandrine (Polish: trzynastozgłoskowiec) is a common metrical line in Polish poetry. It is similar to the French alexandrine. Each line is composed of thirteen syllables with a caesura after the seventh syllable. The main stresses are placed on the sixth and twelfth syllables. Rhymes are feminine.

The Polish alexandrine was introduced in the 15th century. It was borrowed from Latin poetry. It was widely used by Jan Kochanowski, the first great Polish poet, as exemplified in the first two lines of his "Lament 13", with a formal paraphrase in English:

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