Larnax in the context of "Minoan pottery"

⭐ In the context of Minoan pottery, larnakes are specifically recognized as…

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⭐ Core Definition: Larnax

A larnax (plural: larnakes; Ancient Greek: λάρναξ, romanizedlárnax, plural: λάρνακες, lárnakes) is a type of small closed coffin, box or "ash-chest" often used in the Minoan civilization and in Ancient Greece as a container for human remains—either a corpse (bent back on itself) or cremated ashes.

The first larnakes appeared in the Minoan period of the Aegean civilization, when they took the form of ceramic coffers designed to imitate wooden chests, perhaps on the pattern of Egyptian linen chests. They were richly decorated with abstract patterns, octopuses and scenes of hunting and cult rituals.

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👉 Larnax in the context of Minoan pottery

The Minoan civilization produced a wide variety of richly decorated Minoan pottery. Its restless sequence of quirky maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of their sites. Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, in Cyprus, along coastal Syria and in Egypt, showing the wide trading contacts of the Minoans.

The pottery includes vases, figurines, models of buildings, and burial urns called larnakes. Several pottery shapes, especially the rhyton cup, were also produced in soft stones such as steatite, but there was almost no overlap with metal vessels. The finest achievements came in the Middle Minoan period, with the palace pottery called Kamares ware, and the Late Minoan all-over patterned "Marine Style" and "Floral Style". These were widely exported around the Aegean civilizations and sometimes beyond, and are the high points of the Minoan pottery tradition.

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Larnax in the context of Vergina Sun

The Vergina Sun (Greek: Ήλιος της Βεργίνας, romanizedIlios tis Vergínas, lit.'Sun of Vergina'), also known as the Star of Vergina, Vergina Star or Argead Star, is a rayed solar symbol first appearing in ancient Greek art of the period between the 6th and 2nd centuries BC. The Vergina Sun proper has sixteen triangular rays, while comparable symbols of the same period variously have sixteen, twelve, eight or (rarely) six rays.

The name "Vergina Sun" became widely used after the archaeological excavations in and around the small town of Vergina, in northern Greece, during the late 1970s. In older references, the name "Argead Star" or "Star of the Argeadai" is used for the Sun as the possible royal symbol of the Argead dynasty of the ancient kingdom of Macedonia. There it was depicted on a golden larnax found in a 4th-century BC royal tomb belonging to either Philip II or Philip III of Macedon, the father and half-brother of Alexander the Great, respectively.

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Larnax in the context of Horns of consecration

Horns of Consecration is a term coined by Sir Arthur Evans for the symbol, common in Minoan civilization, that is usually thought to represent the horns of the sacred bull. Evans said they were "a more or less conventionalised article of ritual furniture derived from the actual horns of the sacrificial oxen".

The porous limestone horns of consecration on the East Propyleia at Knossos (illustration, right) are restorations. Horns of consecration in stone or clay were placed on the roofs of buildings in Neopalatial Crete, or on tombs or shrines, probably as signs of sanctity of the structure. The symbol also appears on Minoan sealstones, often accompanied by the labrys (double axe) and bucranium (decorative bull skull sculpture), which are part of the iconography of Minoan bull sacrifice. Horns of consecration are among the cultic images painted on the Minoan coffins called larnakes, sometimes in isolation; they may have flowers between the horns, or the labrys.

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Larnax in the context of Hagia Triada sarcophagus

The Hagia Triada Sarcophagus is a late Minoan 137 cm (54 in)-long limestone sarcophagus, dated to around 1400 BC or some decades later, excavated from a chamber tomb at Hagia Triada, Crete in 1903 and now on display at the Heraklion Archaeological Museum (AMH) in Crete, Greece.

Uniquely for such a piece from this date on Crete, it is coated in plaster and painted in fresco on all faces. Unlike the ancient Egyptians, the Minoans only used frescoes to decorate palaces and houses for the enjoyment of the living, not for funerary use. It is the only limestone sarcophagus of its era discovered to date; there are a number of smaller terracotta "ash-chests" (larnax), painted far more crudely, usually in a single colour. It is the only object with a series of narrative scenes of Minoan funerary ritual (later sarcophagi found in the Aegean were decorated with abstract designs and patterns). It was probably originally used for the burial of a prince.

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