Landscape architecture in the context of "Urban design"

The term built environment refers to human-made conditions and is often used in architecture, landscape architecture, urban planning, public health, sociology, and anthropology, among others. These curated spaces provide the setting for human activity and were created to fulfill human desires and needs. The term can refer to a plethora of components including the traditionally associated buildings, cities, public infrastructure, transportation, open space, as well as more conceptual components like farmlands, dammed rivers, wildlife management, and even domesticated animals.

The built environment is made up of physical features. However, when studied, the built environment often highlights the connection between physical space and social consequences. It impacts the environment and how society physically maneuvers and functions, as well as less tangible aspects of society such as socioeconomic inequity and health. Various aspects of the built environment contribute to scholarship on housing and segregation, physical activity, food access, climate change, and environmental racism.

Arthur Schopenhauer's aesthetics result from his philosophical doctrine of the primacy of the metaphysical Will as the Kantian thing-in-itself, the ground of life and all being. In his chief work, The World as Will and Representation, Schopenhauer thought that if consciousness or attention is fully engrossed, absorbed, or occupied with the world as painless representations or images, then there is no consciousness of the world as painful willing. Aesthetic contemplation of a work of art provides just such a state—a temporary liberation from the suffering that results from enslavement to the will [need, craving, urge, striving] by becoming a will-less spectator of "the world as representation" [mental image or idea]. Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience.

Schopenhauer's aesthetic theory is introduced in Book 3 of The World as Will and Representation, Vol. 1, and developed in essays in the second volume. He provides an explanation of the beautiful (German: Schönheit) and the sublime (Das Erhabene), a hierarchy among the arts (from architecture, landscape gardening, sculpture and painting, poetry, etc. all the way to music, the pinnacle of the arts since it is a direct expression of the will), and the nature of artistic genius.

The English landscape garden, also called English landscape park or simply the English garden (French: Jardin à l'anglaise, Italian: Giardino all'inglese, German: Englischer Landschaftsgarten, Portuguese: Jardim inglês, Spanish: Jardín inglés), is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as a revolt against the architectural garden and drew inspiration from landscape paintings by Salvator Rosa, Claude Lorrain, and Nicolas Poussin, as well as from the classic Chinese gardens of the East, which had recently been described by European travellers and were realized in the Anglo-Chinese garden.

The English garden usually included a lake, sweeps of gently rolling lawns set against groves of trees, and recreations of classical temples, Gothic ruins, bridges, and other picturesque architecture, designed to recreate an idyllic pastoral landscape. The work of Lancelot "Capability" Brown was particularly influential. By the end of the 18th century the English garden was being imitated by the French landscape garden, and as far away as St. Petersburg, Russia, in Pavlovsk, the gardens of the future Emperor Paul. It also had a major influence on the forms of public parks and gardens which appeared around the world in the 19th century. The English landscape garden was usually centred on the English country house, and many examples in the United Kingdom are popular visitor attractions today.

Evidence-based design (EBD) is the process of constructing a building or physical environment based on scientific research to achieve the best possible outcomes. Evidence-based design is especially important in evidence-based medicine, where research has shown that environment design can affect patient outcomes. It is also used in architecture, interior design, landscape architecture, facilities management, education, and urban planning. Evidence-based design is part of the larger movement towards evidence-based practices.

The history of architecture traces the changes in architecture through various traditions, regions, overarching stylistic trends, and dates. The beginnings of all these traditions is thought to be humans satisfying the very basic need of shelter and protection. The term "architecture" generally refers to buildings, but in its essence is much broader, including fields we now consider specialized forms of practice, such as urbanism, civil engineering, naval, military, and landscape architecture.

Trends in architecture were influenced, among other factors, by technological innovations, particularly in the 19th, 20th and 21st centuries. The improvement and/or use of steel, cast iron, tile, reinforced concrete, and glass helped for example Art Nouveau appear and made Beaux Arts more grandiose.

An urban park or metropolitan park, also known as a city park, municipal park (North America), public park, public open space, or municipal gardens (UK), is a park or botanical garden in cities, densely populated suburbia and other incorporated places that offers green space and places for recreation to residents and visitors. Urban parks are generally landscaped by design, instead of lands left in their natural state. The design, operation and maintenance is usually done by government agencies, typically on the local level, but may occasionally be contracted out to a park conservancy, "friends of" group, or private sector company.

Depending on size, budget, and land features, which varies considerably among individual parks, common features include playgrounds, gardens, hiking, running, fitness trails or paths, bridle paths, sports fields and courts, public restrooms, boat ramps, performance venues, or BBQ and picnic facilities. Park advocates claim that having parks near urban residents, including within a 10-minute walk, provides multiple benefits.

Frederick Law Olmsted (April 26, 1822 – August 28, 1903) was an American landscape architect, journalist, social critic, and public administrator. He is considered to be the father of landscape architecture in the United States. Olmsted was famous for co-designing many well-known urban parks with his partner Calvert Vaux, beginning with Central Park in New York City, which led to numerous other urban park designs including Prospect Park in Brooklyn, Cadwalader Park in Trenton, New Jersey, and Forest Park in Portland, Oregon.

Olmsted's projects encompassed comprehensive park systems, planned communities, and institutional campuses across North America. His major works included the country's first coordinated system of public parks and parkways in Buffalo, New York, the Emerald Necklace in Boston, Massachusetts, the Grand Necklace of Parks in Milwaukee, Wisconsin, and parks for the 1893 World's Columbian Exposition in Chicago. He designed one of the first planned communities in the United States, Riverside, Illinois, and created master plans for universities including University of California, Berkeley, Stanford University, and the University of Chicago. Notable individual projects included the Biltmore Estate in Asheville, North Carolina, Mount Royal Park in Montreal, Quebec, and landscape work for the United States Capitol in Washington, D.C.

Landscape design is an independent profession and a design and art tradition, practiced by landscape designers, combining nature and culture. In contemporary practice, landscape design bridges the space between landscape architecture and garden design.