Lacquer in the context of Nail polish

Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter.

In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects.

Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver for example Hirameji and given further decorative treatments.

East Asian countries have long traditions of lacquer work, going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is obtained from the dried sap of Toxicodendron vernicifluum. Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and originated independently. True lacquer is not made outside Asia, but some imitations, such as Japanning in Europe, or parallel techniques, are often loosely referred to a "lacquer."

Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term maki-e is a compound word of maki meaning "sprinkling" and e meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term maki-e first appeared in the Heian period.

This technique is the most used technique in Japanese lacquer decoration. The maki-e is often combined with other techniques such as raden (螺鈿) in which a nacreous layer of mollusk shell lining is embedded or pasted in lacquer, zōgan (象嵌) in which metal or ivory is embedded in lacquer, and chinkin (沈金) in which gold leaf or gold powder is embedded in a hollow where lacquer has been shaved.

A coating is a covering that is applied to the surface of an object, or substrate. The purpose of applying the coating may be decorative, functional, or both. Coatings may be applied as liquids, gases or solids e.g. powder coatings.

Paints and lacquers are coatings that mostly have dual uses, which are protecting the substrate and being decorative, although some artists paints are only for decoration, and the paint on large industrial pipes is for identification (e.g. blue for process water, red for fire-fighting control) in addition to preventing corrosion. Along with corrosion resistance, functional coatings may also be applied to change the surface properties of the substrate, such as adhesion, wettability, or wear resistance. In other cases the coating adds a completely new property, such as a magnetic response or electrical conductivity (as in semiconductor device fabrication, where the substrate is a wafer), and forms an essential part of the finished product.

Toxicodendron vernicifluum (formerly Rhus verniciflua), also known by the common name Chinese lacquer tree, is an Asian tree species of genus Toxicodendron native to China and the Indian subcontinent, and cultivated in regions of China, Japan and Korea. Other common names include poison sumac, Japanese lacquer tree, Japanese sumac, and varnish tree. The trees are cultivated and tapped for their toxic sap, which is used as a highly durable lacquer to make Chinese, Japanese, and Korean lacquerware.

The trees grow up to 20 metres tall with large leaves, each containing from 7 to 19 leaflets (most often 11–13). The sap contains the allergenic compound urushiol, which gets its name from this species' Japanese name urushi (urushi (漆)); "urushi" is also used in English as a collective term for all kinds of Asian lacquerware made from the sap of this and related Asian tree species, as opposed to European "lacquer" or Japanning made from other materials. Urushiol is also the oil found in poison ivy and poison oak that causes a rash.

Nitrocellulose (also known as cellulose nitrate, flash paper, flash cotton, guncotton, pyroxylin and flash string, depending on form) is a highly flammable compound formed by nitrating cellulose through exposure to a mixture of nitric acid and sulfuric acid. One of its first major uses was as guncotton, a replacement for gunpowder as propellant in firearms. It was also used to replace gunpowder as a low-order explosive in mining and other applications. In the form of collodion, it was also a critical component in an early photographic emulsion, the use of which revolutionized photography in the 1860s. In the 20th century, it was adapted to automobile lacquer and adhesives.

An inro (印籠, Inrō; lit. "stamp case") is a traditional Japanese case for holding small objects, suspended from the obi (sash) worn around the waist when wearing a kimono. They are often highly decorated with various materials such as lacquer and various techniques such as maki-e, and are more decorative than other Japanese lacquerware.

Because traditional Japanese dress lacked pockets, objects were often carried by hanging them from the obi in containers known as sagemono (a hanging object attached to a sash). Most sagemono were created for specialized contents, such as tobacco, pipes, writing brush and ink, but the type known as inro is suitable for carrying small things, and was created in the Sengoku period (1467–1615) as a portable identity seal and medicine container for travel.

A saddle is a supportive structure for a rider of an animal, fastened to an animal's back by a girth. The most common type is equestrian. However, specialized saddles have been created for oxen, camels and other animals. The trade of making saddles is saddlery.

It is not known precisely when riders first began to use some sort of padding or protection, but a blanket attached by some form of surcingle or girth was probably the first "saddle", followed later by more elaborate padded designs. The solid saddle tree was a later invention, and though early stirrup designs predated the invention of the solid tree, the paired stirrup, which attached to the tree, was the last element of the saddle to reach the basic form that is still used today. Present-day saddles come in a wide variety of styles, each designed for a specific equestrianism discipline, and require careful fit to both the rider and the horse. Proper saddle care can extend the useful life of a saddle, often for decades. The saddle was a crucial step in the increased use of domesticated animals, during the Classical Era.

The Liangzhu (/ˈljɑːŋˈdʒuː/) culture or civilization (3300–2300 BC) was the last Chinese Neolithic jade culture in the Yangtze River Delta. The culture was highly stratified, as jade, silk, ivory and lacquer artifacts were found exclusively in elite burials, while pottery was more commonly found in the burial plots of poorer individuals. This division of class indicates that the Liangzhu period was an early state, symbolized by the clear distinction drawn between social classes in funeral structures. A pan-regional urban center had emerged at the Liangzhu site in northwestern Hangzhou, Zhejiang, and elite groups from this site presided over the local centers. The Liangzhu culture was extremely influential and its sphere of influence reached as far north as Shanxi and as far south as Guangdong. The primary Liangzhu site was perhaps among the oldest Neolithic sites in East Asia that would be considered a state society. The type site at Liangzhu was discovered in Yuhang County, Zhejiang and initially excavated by Shi Xingeng in 1936.

On 6 July 2019, the archaeological ruins of Liangzhu City was inscribed as a UNESCO World Heritage Site.

Painting is a visual art, characterized by the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter.

In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects.

Japanese Lacquerware (日本漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.

The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called maki-e (蒔絵) in which metal powder is sprinkled to attach to lacquer. The invention of various maki-e techniques in Japanese history expanded artistic expression, and various tools and works of art such as inro are highly decorative.

Toxicodendron is a genus of flowering plants in the sumac family, Anacardiaceae. It contains trees, shrubs and woody vines, including poison ivy, poison oak, and the lacquer tree. The best-known members of the genus in North America are eastern poison ivy (T. radicans) and western poison oak (T. diversilobum), both ubiquitous throughout much of their respective region.

All members of the genus produce the skin-irritating oil urushiol, which can cause a severe allergic reaction known as urushiol-induced contact dermatitis. The resins of certain species native to Japan, China and other Asian countries, such as lacquer tree (T. vernicifluum) and wax tree (T. succedaneum), are used to make lacquer, and, as a byproduct of lacquer manufacture, their berries are used to make japan wax.

Hida Folk Village, Hida no Sato (飛騨民俗村, 飛騨の里, Hida Minzoku Mura, Hida no Sato) is an open-air museum of close to 30 old farmhouses illustrating the traditional architectural styles of the mountainous regions of Japan. Of particular interest are the thatched and shingled roofs, such as the gasshō-zukuri-styled buildings. Many of the buildings were brought from their original sites to preserve them. The village is picturesquely situated on a hillside overlooking the Takayama Valley and surrounding a large pond. It is in the city of Takayama, Gifu Prefecture, Japan, about 2.5 km (1.6 mi) southwest of the train station.

The structures range from 100 to 500 years in age. Many are open to perusal and are filled with artifacts from their respective periods, including spindles, silk worm raising artifacts, cooking utensils, and clothing. There is a workshop illustrating how many of Japan's famous handicrafts are made, including wood carving, tie-dyeing, weaving, and lacquer work. Sometimes it is referred to as "the village hidden in the leaf".

Asphaltite (also known as uintahite, asphaltum, gilsonite or oil sands) is a naturally occurring soluble solid hydrocarbon, a form of asphalt (or bitumen) with a relatively high melting temperature. Its large-scale production occurs in the Uinta Basin of Utah and Colorado, United States.

Although the substance has been historically mined in the Uintah Basin, resources are being discovered and mined more recently in other countries such as Colombia and Iran. Asphaltite is mined in underground shafts and resembles shiny black obsidian.Discovered in the 1860s, it was first marketed as a lacquer, electrical insulator, and waterproofing compound approximately 25 years later by Samuel H. Gilson.

In Japanese architecture, fusuma (襖) are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick. The heights of fusuma have increased in recent years due to an increase in average height of the Japanese population, and a 190 cm (6 ft 3 in) height is now common. In older constructions, they are as small as 170 cm (5 ft 7 in) high. They consist of a lattice-like wooden understructure covered in cardboard and a layer of paper or cloth on both sides. They typically have a black lacquer border and a round finger catch.

Historically, fusuma were painted, often with scenes from nature such as mountains, forests or animals. Today, many feature plain mulberry paper, or have industrially-printed graphics of fans, autumn leaves, cherry blossom, trees, or geometric graphics. Patterns for children featuring popular characters can also be purchased.