La Puce à l'oreille in the context of "Feydeau"

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⭐ Core Definition: La Puce à l'oreille

A Flea in Her Ear (French: La Puce à l'oreille) is a play by Georges Feydeau written in 1907, at the height of the Belle Époque. The author called it a vaudeville, but in Anglophone countries, where it is the most popular of Feydeau's plays, it is usually described as a farce.

The plot hinges on the central characters having a double: a middle class businessman is indistinguishable from the hall porter of a shady hotel, and the two are persistently mistaken for each other, to the bafflement of both.

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👉 La Puce à l'oreille in the context of Feydeau

Georges-Léon-Jules-Marie Feydeau (French: [ʒɔʁʒ fɛ.do]; 8 December 1862 – 5 June 1921) was a French playwright of the Belle Époque era, remembered for his farces, written between 1886 and 1914.

Feydeau was born in Paris to middle-class parents and raised in an artistic and literary environment. From an early age he was fascinated by the theatre, and as a child he wrote plays and organised his schoolfellows into a drama group. In his teens he wrote comic monologues and moved on to writing longer plays. His first full-length comedy, Tailleur pour dames [fr] ('Ladies' tailor'), was well received, but was followed by a string of comparative failures. He gave up writing for a time in the early 1890s and studied the methods of earlier masters of French comedy, particularly Eugène Labiche, Alfred Hennequin and Henri Meilhac. With his technique honed, and sometimes in collaboration with a co-author, he wrote seventeen full-length plays between 1892 and 1914, many of which have become staples of the theatrical repertoire in France and abroad. They include L'Hôtel du libre échange ('The Free Exchange Hotel', 1894), La Dame de chez Maxim ('The lady from Maxim's', 1899), La Puce à l'oreille ('A flea in her ear', 1907) and Occupe-toi d'Amélie! ('Look after Amélie', 1908).

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