Krater in the context of "Argonauts"

Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC.

The philosopher Aristotle wrote in his Poetics (c. 335 BC) that comedy is a representation of laughable people and involves some kind of blunder or ugliness which does not cause pain or disaster. C. A. Trypanis wrote that comedy is the last of the great species of poetry Greece gave to the world.

In Ancient Greece, the symposium (Ancient Greek: συμπόσιον, sympósion, from συμπίνειν, sympínein, 'to drink together') was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems, such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.

In modern usage, it has come to mean an academic conference or meeting, such as a scientific conference. The Latin equivalent of a Greek symposium in Roman society is convivium.

In Greek mythology, the Golden Fleece (Ancient Greek: Χρυσόμαλλον δέρας, romanized: Khrysómallon déras, lit. 'Golden-haired pelt') is the fleece of the golden-woolled, winged ram, Chrysomallos, that rescued Phrixus and brought him to Colchis, where Phrixus then sacrificed it to Zeus. Phrixus gave the fleece to King Aeëtes who kept it in a sacred grove, whence Jason and the Argonauts stole it with the help of Medea, Aeëtes' daughter. The fleece is a symbol of authority and kingship.

In the historical account, the hero Jason and his crew of Argonauts set out on a quest for the fleece by order of King Pelias in order to place Jason rightfully on the throne of Iolcus in Thessaly. Through the help of Medea, they acquire the Golden Fleece. The story is of great antiquity and was current in the time of Homer (eighth century BC). It survives in various forms, among which the details vary.

Asteas (active between 350 and 320 BC in Paestum, Southern Italy) was one of the more active ancient Greek vase painters in Magna Graecia, practicing the red-figure style. He managed a large workshop, in which above all hydriai and kraters were painted. He painted mostly mythological and theatrical scenes. He is one of the few vase painters of the Greek colonies whose name comes down to us.

Crater is a small constellation in the southern celestial hemisphere. Its name is the Latinization of the Greek krater, a type of cup used to water down wine. One of the 48 constellations listed by the second-century astronomer Ptolemy, it depicts a cup that has been associated with the god Apollo and is perched on the back of Hydra the water snake.

There is no star brighter than third magnitude in the constellation. Its two brightest stars, Delta Crateris of magnitude 3.56 and Alpha Crateris of magnitude 4.07, are ageing orange giant stars that are cooler and larger than the Sun. Beta Crateris is a binary star system composed of a white giant star and a white dwarf. Seven star systems have been found to host planets. A few notable galaxies, including Crater 2 and NGC 3981, and a famous quasar lie within the borders of the constellation.

The Eagle of Zeus (Ancient Greek: ἀετός Διός, romanized: Aetos Dios) was one of the chief attributes and personifications of Zeus, the head of the Olympian pantheon.