Kosovo field in the context of "Battle of Kosovo"

⭐ In the context of the Battle of Kosovo, the territory where the fighting occurred, the Kosovo field, was under the authority of which figure?

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⭐ Core Definition: Kosovo field

Kosovo field (Albanian: Fusha e Kosovës; Serbian: Косово поље, romanizedKosovo polje, lit.'Blackbird Field') is a large karst field, located in the middle part of Kosovo. It is mostly known for being the site of the Battle of Kosovo (1389) between the Balkan Alliance led by Lazar of Serbia and Ottoman armies led by Murad I, and many other battles.

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👉 Kosovo field in the context of Battle of Kosovo

The Battle of Kosovo took place on 15 June 1389 between an army led by the Serbian Prince Lazar Hrebeljanović and an invading army of the Ottoman Empire under the command of Sultan Murad I. It was one of the largest battles of the Late Middle Ages.

The battle was fought on the Kosovo field in the territory ruled by Serbian nobleman Vuk Branković, in what is today Kosovo, about 5 kilometers (3.1 mi) northwest of the modern city of Pristina. The army under Prince Lazar consisted mostly of his own troops, a contingent led by Branković, and a contingent sent from Bosnia by King Tvrtko I, commanded by Vlatko Vuković. Additionally, Lazar was also supported by a Christian coalition from various European ethnic groups. Prince Lazar was the ruler of Moravian Serbia and the most powerful among the Serbian regional lords of the time, while Branković ruled the District of Branković and other areas, recognizing Lazar as his overlord.

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Kosovo field in the context of Kosovo Maiden

The Kosovo Maiden or Maiden of the Blackbird's Field (Serbian: Косовка девојка / Kosovka devojka) is the central figure of a poem with the same name, part of the Kosovo cycle in the Serbian epic poetry. In it, a young beauty searches the battlefield for her betrothed fiancé and helps wounded Serbian warriors with water, wine and bread after the Battle of Kosovo in 1389 between Serbia and the Ottoman Empire. She finally finds the wounded and dying warrior Pavle Orlović who tells her that her fiancé Milan Toplica and his blood-brothers Miloš Obilić and Ivan Kosančić are dead. Before the battle they had given her a cloak, golden ring and veil for the wedding as a promise of safe return, but they were slain and Pavle pointed to the direction of the bodies. The poem finishes with:

The poem became very popular as a symbol of womanly compassion and charity.

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