Konstantin Thon in the context of "Neo-Byzantine architecture in the Russian Empire"

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πŸ‘‰ Konstantin Thon in the context of Neo-Byzantine architecture in the Russian Empire

Russian-Byzantine architecture (Russo-Byzantine architecture; Russian: русско-византийский ΡΡ‚ΠΈΠ»ΡŒ) is a revivalist direction in Russian architecture and decorative and applied arts, based on the interpretation of the forms of Byzantine and Old Russian architecture. As part of eclecticism, the style could be combined with other styles.

The style originated in the Russian Empire in the first half of the 19th century. The founder of this style is considered to be Konstantin Thon. Formed in the early 1830s as an entire direction, the Russian-Byzantine style was inextricably linked with the concept of nationality, expressing the idea of cultural self-sufficiency of Russia, as well as its political and religious continuity in relation to Byzantine Empire. In a narrow sense, the Russian-Byzantine style referred as the style of Konstantin Thon, common in the second third of the 19th century, and post Thon style, that began in the 1850s and more similar to the Byzantine architecture, called the Neo-Byzantine style.

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Konstantin Thon in the context of Grand Kremlin Palace

The Grand Kremlin Palace (Russian: Π‘ΠΎΠ»ΡŒΡˆΠΎΠΉ ΠšΡ€Π΅ΠΌΠ»Ρ‘Π²ΡΠΊΠΈΠΉ Π΄Π²ΠΎΡ€Π΅Ρ†, romanized:Β Bolshoy Kremlyovskiy dvorets) is a building in the Moscow Kremlin. For much of the 19th century, it served as the official residence of the Russian emperor in Moscow, which was not then the capital of the Russian Empire. Designed by a team of architects under the management of Konstantin Thon, architect of the Kremlin Armoury and the Cathedral of Christ the Saviour, the palace was intended to emphasise the greatness of Russian autocracy.

The Grand Kremlin Palace serves as the official working residence of the president of Russia and also houses a museum.

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