Kiln in the context of "Ding ware"

Faience or faïence (/faɪˈɑːns, feɪˈ-, -ˈɒ̃s/; French: [fajɑ̃s] ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding 1,000 °C (1,830 °F) was required to achieve this result, after millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles.

English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal term in English for French, German, Spanish, Portuguese wares and those of other countries not mentioned (it is also the usual French term, and fayence in German). The name faience is simply the French name for Faenza, in the Romagna near Ravenna, Italy, where a painted majolica ware on a clean, opaque pure-white ground, was produced for export as early as the fifteenth century.

Iron is a chemical element; it has symbol Fe (from Latin ferrum 'iron') and atomic number 26. It is a metal that belongs to the first transition series and group 8 of the periodic table. It is, by mass, the most common element on Earth, forming much of Earth's outer and inner core. It is the fourth most abundant element in the Earth's crust. In its metallic state it was mainly deposited by meteorites.

Extracting usable metal from iron ores requires kilns or furnaces capable of reaching 1,500 °C (2,730 °F), about 500 °C (900 °F) higher than that required to smelt copper. Humans started to master that process in Eurasia during the 2nd millennium BC and the use of iron tools and weapons began to displace copper alloys – in some regions, only around 1200 BC. That event is considered the transition from the Bronze Age to the Iron Age. In the modern world, iron alloys, such as steel, stainless steel, cast iron and special steels, are by far the most common industrial metals, due to their mechanical properties and low cost. The iron and steel industry is thus very important economically, and iron is the cheapest metal, with a price of a few dollars per kilogram or pound.

Mudbrick or mud-brick, also known as unfired brick, is an air-dried brick, made of a mixture of mud (containing loam, clay, sand and water) mixed with a binding material such as rice husks or straw. Mudbricks are known from 9000 BCE.

From around 5000–4000 BCE, mudbricks evolved into fired bricks to increase strength and durability. Nevertheless, in some warm regions with very little timber available to fuel a kiln, mudbricks continued to be in use. Even today, mudbricks are the standard of vernacular architecture in some warmer regions- mainly in parts of Africa and western Asia. In the 20th century, the compressed earth block was developed using high pressure as a cheap and eco-friendly alternative to obtain non-fired bricks with more strength than the simpler air-dried mudbricks.

Porcelain (/ˈpɔːrs(ə)lɪn/), also called china, is a ceramic material made by heating raw materials, generally including kaolinite, in a kiln to temperatures between 1,200 and 1,400 °C (2,200 and 2,600 °F). The greater strength and translucence of porcelain, relative to other types of pottery, arise mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures. End applications include tableware, decorative ware such as figurines, and products in technology and industry such as electrical insulators and laboratory ware.

The manufacturing process used for porcelain is similar to that used for earthenware and stoneware, the two other main types of pottery, although it can be more challenging to produce. It has usually been regarded as the most prestigious type of pottery due to its delicacy, strength, and high degree of whiteness. It is frequently both glazed and decorated.

Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export.

The oldest known pottery in the world was made during the Paleolithic at Xianrendong Cave, Jiangxi Province, China. Chinese ceramics show a continuous development since pre-dynastic times. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage.

The Five Great Kilns (Chinese: 五大名窯; pinyin: Wǔ dàmíng yáo), also known as Five Famous Kilns, is a generic term for ceramic kilns or wares (in Chinese 窯 yáo can mean either) which produced Chinese ceramics during the Song dynasty (960–1279) that were later held in particularly high esteem. The group were only so called by much later writers, and of the five, only two (Ru and Guan) seem to have produced wares directly ordered by the Imperial court, though all can be of very high quality. All were imitated later, often with considerable success.

All except Ding ware used celadon glazes, and in Western terms the celadon kilns are stoneware, as opposed to the Ding early porcelain. The celadons placed great emphasis on elegant forms and their ceramic glazes, and were otherwise lightly decorated, with no painting.

In materials science, a refractory (or refractory material) is a material that is resistant to decomposition by heat or chemical attack and that retains its strength and rigidity at high temperatures. They are inorganic, non-metallic compounds that may be porous or non-porous, and their crystallinity varies widely: they may be crystalline, polycrystalline, amorphous, or composite. They are typically composed of oxides, carbides or nitrides of the following elements: silicon, aluminium, magnesium, calcium, boron, chromium and zirconium. Many refractories are ceramics, but some such as graphite are not, and some ceramics such as clay pottery are not considered refractory. Refractories are distinguished from the refractory metals, which are elemental metals and their alloys that have high melting temperatures.

Refractories are defined by ASTM C71 as "non-metallic materials having those chemical and physical properties that make them applicable for structures, or as components of systems, that are exposed to environments above 1,000 °F (811 K; 538 °C)". Refractory materials are used in furnaces, kilns, incinerators, and reactors. Refractories are also used to make crucibles and molds for casting glass and metals. The iron and steel industry and metal casting sectors use approximately 70% of all refractories produced.

Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen. Underglaze decoration uses pigments derived from oxides which fuse with the glaze when the piece is fired in a kiln. It is also a cheaper method, as only a single firing is needed, whereas overglaze decoration requires a second firing at a lower temperature.

Many historical styles, for example Persian mina'i ware, Japanese Imari ware, Chinese doucai and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. However, because the main or glost firing is at a higher temperature than used in overglaze decoration, the range of colours available in underglaze is more limited, and was especially so for porcelain in historical times, as the firing temperature required for the porcelain body is especially high. Early porcelain was largely restricted to underglaze blue, and a range of browns and reds. Other colours turned black in a high-temperature firing.