Khalili Collections in the context of "Khalili Collection of Spanish Metalwork"

An astrolabe (Ancient Greek: ἀστρολάβος, romanized: astrolábos, lit. 'star-taker'; Arabic: ٱلأَسْطُرلاب, romanized: al-Asṭurlāb; Persian: ستاره‌یاب, romanized: Setāreyāb) is an astronomical instrument dating to ancient times. It serves as a star chart and physical model of the visible half-dome of the sky. Its various functions also make it an elaborate inclinometer and an analog calculation device capable of working out several kinds of problems in astronomy. In its simplest form it is a metal disc with a pattern of wires, cutouts, and perforations that allows a user to calculate astronomical positions precisely. It is able to measure the altitude above the horizon of a celestial body, day or night; it can be used to identify stars or planets, to determine local latitude given local time (and vice versa), to survey, or to triangulate. It was used in classical antiquity, the Byzantine Empire, the Islamic Golden Age, the European Middle Ages and the Age of Discovery for all these purposes.

The astrolabe, which is a precursor to the sextant,is effective for determining latitude on land or calm seas. Although it is less reliable on the heaving deck of a ship in rough seas, the mariner's astrolabe was developed to solve that problem.

Sir Nasser David Khalili KCSS (Persian: ناصر داوود خلیلی, born 18 December 1945) is a British scholar, collector, and philanthropist based in London. Born in Iran and educated at Queens College, City University of New York and the School of Oriental and African Studies in London, he is a naturalised British citizen.

He assembled eight art collections—the Khalili Collections—each considered among the most important in its field. These collections total 35,000 artworks and include the largest private collection of Islamic art and a collection of Japanese art rivalling that of the Japanese imperial family. He has spent tens of millions of pounds on conserving, researching, and documenting the collections, publishing more than seventy volumes of catalogues and research so far. Exhibitions drawn from the collections have appeared in institutions around the world.

The Nasser D. Khalili Collection of Islamic Art includes 26,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.

In addition to copies of the Quran, and rare and illustrated manuscripts, the collection includes album and miniature paintings, lacquer, ceramics, glass and rock crystal, metalwork, arms and armour, jewellery, carpets and textiles, over 15,000 coins, and architectural elements. The collection includes folios from manuscripts with Persian miniatures, including the Great Mongol Shahnameh, the Shahnameh of Shah Tahmasp, and the oldest manuscript of world history the Jamiʿ al-tawarikh. Among its collections of arms and armour is a 13th-century gold saddle from the time of Genghis Khan.

The Khalili Collection of Hajj and the Arts of Pilgrimage is a private collection of around 5,000 items relating to the Hajj, the pilgrimage to the holy city of Mecca which is a religious duty in Islam.It is one of eight collections assembled, conserved, published and exhibited by the British scholar, collector and philanthropist Nasser Khalili; each collection is considered among the most important in its field. The collection's 300 textiles include embroidered curtains from the Kaaba, the Station of Abraham, the Mosque of the Prophet Muhammad and other holy sites, as well as textiles that would have formed part of pilgrimage caravans from Egypt or Syria. It also has illuminated manuscripts depicting the practice and folklore of the Hajj as well as photographs, art pieces, and commemorative objects relating to the Hajj and the holy sites of Mecca and Medina.

Part of the collection was exhibited at the British Museum in 2012 and it has lent objects for exhibition in other countries. It is documented in a 2022 single-volume summary, with a 7-volume comprehensive catalog in the works. Alongside the Topkapı Palace museum, it has been described as "the largest and most significant group of objects relating to the cultural history of the Hajj".

The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British scholar, collector and philanthropist Nasser D. Khalili. Its 2,200 art works include metalwork, enamels, ceramics, lacquered objects, and textile art, making it comparable only to the collection of the Japanese imperial family in terms of size and quality. The Meiji era was a time when Japan absorbed some Western cultural influences and used international events to promote its art, which became very influential in Europe. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. Some of the works were made by artists of the imperial court for the Great Exhibitions of the late 19th century. The collection is one of eight assembled, published, and exhibited by Khalili.

Although the collection is not on permanent public display, its objects are lent to cultural institutions and have appeared in many exhibitions from 1994 onwards. Exhibitions drawing exclusively from the collection have been held at the British Museum, Israel Museum, Van Gogh Museum, Portland Museum, Moscow Kremlin Museums, and other institutions worldwide.

The Khalili Collection of Kimono is a private collection of more than 450 Japanese kimono assembled by the British scholar, collector and philanthropist Nasser D. Khalili. It is one of eight collections assembled, published and exhibited by Khalili, each of which is considered to be among the most important collections within their respective fields.

The Khalili Collection of Kimono includes formal, semi-formal, and informal kimono made for men, women, and children, illustrating the evolution of the kimono through cut, construction, materials, and decorative techniques from the 17th through the 20th centuries, with kimono representing the Edo period, the Meiji period, the Taishō period, and the Shōwa period. The kimono within the collection are not on permanent display, but are periodically lent or donated in part to cultural institutions; including the Kremlin Museums in Moscow and the Victoria and Albert Museum in London. Khalili, who also owns a collection of Meiji-era Japanese art, describes kimono as "one of the wonders of the world." He started the kimono collection with the aim of collecting and cataloguing cultural works that were not already actively being collected.

The Khalili Collection of Enamels of the World is a private collection of enamel artworks from the period 1700 to 2000, assembled by the British scholar, collector and philanthropist Nasser D. Khalili. It is one of the eight Khalili Collections, each of which is considered among the most important in its field.

The most extensive private collection of its kind, it consists of over 1,500 pieces and showcases the evolution of enamelling over a 300-year period. By including objects from Western Europe, Russia, Islamic countries, China, Japan, and America, it shows how these centres of enamel production influenced each other's styles. The best-known European enamellists are represented, including Peter Carl Fabergé, Cartier, and René Lalique, along with the Meiji-era Japanese artists who perfected the firing process. The collection illustrates the role of patronage in enamelling as many of its objects were created for royal or imperial households. These include the enamelled chariot belonging to Bhavsinhji II, Maharaja of Bhavnagar and a painted enamel throne table with the seal mark of the 18th century Chinese Qianlong emperor. Other objects include presentation chargers, jewellery, miniatures and ornamental pieces. The collection was the basis for a 2010 exhibition at the Hermitage Museum.

The Khalili Collection of Swedish Textiles is a private collection of textile art assembled by the British scholar, collector and philanthropist Nasser D. Khalili. The collection was built up over a period of 25 years and contains 100 works. It is one of eight collections assembled, conserved, published and exhibited by Khalili, each of which is considered among the most important in its field. In 2008 it was described as "the only extensive collection of Swedish flatweaves outside the country". The collection consists mostly of textile panels, cushion and bed covers from the Scania region of southern Sweden, dating in the main from a hundred-year period between the mid-18th and mid-19th centuries. The majority of the pieces in the collection were made for wedding ceremonies in the region. While they played a part in the ceremonies, they were also a reflection of the artistry and skill of the weaver. Their designs often consist of symbolic illustrations of fertility and long life. Khalili writes that he created the collection because of the tendency of art historians and the public to undervalue art whose creators are anonymous.