Kansas City jazz in the context of Kansas City, Missouri


Kansas City jazz in the context of Kansas City, Missouri

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⭐ Core Definition: Kansas City jazz

Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who promoted the bebop style in America.

Kansas City is known as one of the most popular "cradles of jazz". Other cities include New Orleans, Chicago, St. Louis, Philadelphia, and New York City. Kansas City was known for the organized musicians of the Local 627 A.F.M., which controlled a number of venues in the city. Almost every jazz history depicts Kansas City jazz as a fertile ground for the development of big bands, virtuosic performances, and legendary performers. In the 1920s was a Great Migration from the south and the search for musical work in Kansas City, Missouri, where the Black population rose from 23,500 to 42,000 between 1912 and 1940. Russell, Diggs, and Pearson have well documented how the vice district expanded within black neighborhoods of Kansas City, resulting in economic success for jazz musicians. Many musicians from the Southwest moved to Kansas City for its plentiful jobs. "Nightclubs in Kansas City served up prostitution, gambling, and narcotics along with liquor".

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Kansas City jazz in the context of Jazz

Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.

As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.

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Kansas City jazz in the context of American Jazz Museum

The American Jazz Museum is located in the 18th and Vine historic district of Kansas City, Missouri. The museum preserves the history of American jazz music, especially Kansas City jazz music, with exhibits including Charlie Parker, Duke Ellington, Louis Armstrong, Ella Fitzgerald, Big Joe Turner, Thelonious Monk, and Etta James. The Blue Room is a jazz club which holds live performances multiple nights each week. The museum also runs youth cultural programs, including youth jazz ensembles, lessons, camps, and visual storytelling sessions.

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