Kane Brett Robinson (born 21 May 1985), known by the stage name Kano, is a British rapper, songwriter and actor from East Ham, London. His fifth album, Made in the Manor was shortlisted for the 2016 Mercury Prize and won Best Album at the 2016 MOBO Awards. On screen, he played the role of Sully in Top Boy (2011–2023).
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👉 Kano (British musician) in the context of Nasty Crew
Nasty Crew (commonly stylised as N.A.S.T.Y., a backronym for Natural Artistic Sounds Touching You) was a British grime crew from East London, with its members primarily from Newham. The group was founded by DJ Marcus Nasty and MCs Sharky Major and Stormin in 1999, and its membership underwent frequent changes in the following years, with most artists forming or joining successor crews by 2006. It is regarded as a pioneering collective within grime music history and several of its former members have charted in the United Kingdom, including Kano, Ghetts, D Double E, and Jammer.
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Kano (British musician) in the context of Grime music
Grime is a genre of electronic dance music (EDM) that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and Hip-hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life.
The style initially spread among pirate radio stations and underground scenes before achieving some mainstream recognition in the UK during the mid-2000s through artists such as Dizzee Rascal, Kano, Lethal Bizzle, and Wiley. Grime's rise in the early 2000s benefited from a time before smartphones and social media dominated the music landscape, allowing the genre to develop at a slower, organic pace. Many of grime's foundational MCs, such as Ghetts, Kano, and Skepta, spent years refining their craft, with early career periods often lasting five to ten years. This period also produced significant archival material, from Run the Road compilations and Lord of the Mics DVDs to the RWD magazine, all of which captured grime's evolution at its peak. The genre’s emergence has often been compared to punk rock, a comparison solidified by tracks like Jammer's "Dagenham Dave," a nod to The Stranglers' song of the same name.