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👉 Kalika Purana in the context of Narakasura

Narakasura, also known as Naraka, was a mythical asura king, the legendary progenitor of all three dynasties of Pragjyotisha-Kamarupa, and the founding ruler of the legendary Bhauma dynasty of Pragjyotisha. Though the myths about Naraka are first mentioned in the Mahabharata, later texts embellish them. According to later post-Vedic texts such as the Brahma Purana and Vishnu Purana, he was the son of Bhudevi, fathered either by the Varaha incarnation of Vishnu or Hiranyaksha. He was killed by Krishna and Satyabhama. His son Bhagadatta—of Mahabharata fame—succeeded him.

The 10th/11th-century Kalika Purana embellishes the myths further and he is claimed to have come from Mithila and said to have established the kingdom of Pragjyotisha after overthrowing the last of the Kirata kings, Ghatakasura, of the Danava dynasty. It was foretold that he would be destroyed by a later incarnation of Vishnu. His mother, the earth, sought the boon from Vishnu that her son should have a long life, and that he should be all-powerful. Vishnu granted these boons.

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Kalika Purana in the context of Kamakhya Temple

Kamakhya Temple (Rajbanshi: Kāmākhyā moṇḍir; Assamese: kamakhya mondir) is a Hindu temple at Nilachal hills in Guwahati, Assam is one of the oldest and most revered centres of Tantric practices, dedicated to the goddess Kamakhya. The temple is the center of the Kulachara Tantra Marga and the site of the Ambubachi Mela, an annual festival that celebrates the menstruation of the goddess. Structurally, the temple is dated to the 8th-9th century with many subsequent rebuildings—and the final hybrid architecture defines a local style called Nilachal. It is also one among the oldest 4 of the 51 pithas in the Shakta tradition. An obscure place of worship for much of history it became an important pilgrimage destination, especially for those from Bengal, in the 19th century during colonial rule.

Originally an autochthonous place of worship of a local goddess where the primary worship of the aniconic yoni set in natural stone continues till today, the Kamakya Temple became identified with the state power when the Mleccha dynasty of Kamarupa patronised it first, followed by the Palas, the Koch, and the Ahoms. The Kalika Purana, written during the Pala rule, connected Naraka, the legitimizing progenitor of the Kamarupa kings, with the goddess Kamakhya representing the region and the Kamarupa kingdom.

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Kalika Purana in the context of "Narakasura"

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👉 Kalika Purana in the context of Narakasura

Kalika Purana in the context of Kamakhya Temple