Kalevala in the context of "Music of Finland"

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⭐ Core Definition: Kalevala

The Kalevala (IPA: [ˈkɑleʋɑlɑ]) is a 19th-century compilation of epic poetry, compiled by Elias Lönnrot from Finnish, Karelian and Ingrian folklore and mythology, telling a story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the mythical wealth-making machine Sampo.

The Kalevala is regarded as the national epic of Finland and Karelia, and is one of the most significant works of Finnish literature along with J. L. Runeberg's The Tales of Ensign Stål and Aleksis Kivi's The Seven Brothers. The Kalevala was instrumental in the development of the Finnish national identity and the intensification of Finland's language strife that ultimately led to Finland's independence from Russia in 1917. The work is known internationally and has partly influenced, for example, J. R. R. Tolkien's legendarium (i.e. Middle-earth mythology, especially The Children of Húrin).

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Kalevala in the context of Runic song

Runic song, also referred to as Rune song, Runo song, or Kalevala song, is a form of oral poetry and national epic historically practiced among the Baltic Finnic peoples. It includes the Finnish epic poems Kalevala and Kanteletar, as well as the Estonian Kalevipoeg. Estonian and Finnish researchers suggest the term runosong for English translation, or local terms, such as Estonian regilaul, Seto leelo or Finnish runolaulu when it is about regional tradition.
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Kalevala in the context of Golden Age of Finnish Art

The Golden Age of Finnish Art coincided with the national awakening of Finland, during the era of the Grand Duchy of Finland under the Russian Empire. It is believed to span an era from the late 19th Century to the early 20th Century, approximately 1880 to 1910. The epic poetry form known as Kalevala, developed during the 19th Century, provided the artistic inspiration for numerous themes at the time, including in visual arts, literature, music and architecture; however, the "Golden Age of Finnish Art" is generally regarded as referring to the realist and romantic nationalist painters of the time. Notable figures of the time include Akseli Gallen-Kallela, Pekka Halonen, Albert Edelfelt, Jean Sibelius, Eino Leino, Helene Schjerfbeck, Emil Wikström, Eero Järnefelt and Eliel Saarinen.

Finnish art became more widely known in Europe at the Paris Exposition of 1900, where the Finnish pavilion was one of the most popular among the attendees.

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Kalevala in the context of Russian folklorist

The Russian folklore, i.e., the folklore of Russian people, takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales. Epic Russian bylinas are also an important part of Slavic paganism. The oldest bylinas of Kievan cycle were recorded in the Russian North, especially in Karelia, where most of the Finnish national epic Kalevala was recorded as well.

In the late 19th-century Russian fairy tales began being translated into English, with Russian Folk Tales (1873) by William Ralston, and Tales and Legends from the Land of the Tzar (1890) by Edith Hodgetts.

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Kalevala in the context of Kanteletar

Kanteletar is a collection of Finnish folk poetry compiled by 19th-century Finnish linguist Elias Lönnrot. It is considered to be a sister collection to the Finnish national epic Kalevala. The poems of Kanteletar are based on the trochaic tetrameter, generally referred to as "Kalevala metre".

The name consists of the base word kantele (a Finnish zither-like instrument) and the feminising morpheme -tar and can be roughly interpreted as "maiden of the kantele" or "zither-daughter", a kind of muse.

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Kalevala in the context of Jean Sibelius

Jean Sibelius (/sɪˈbliəs/; Finland Swedish: [ˈʃɑːn siˈbeːliʉs] ; born Johan Julius Christian Sibelius; 8 December 1865 – 20 September 1957) was a Finnish composer of the late Romantic and early modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a stronger national identity when the country was struggling from several attempts at Russification in the late 19th century.

The core of his oeuvre is his set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). His other works include pieces inspired by nature, Nordic mythology, and the Finnish national epic, the Kalevala; over a hundred songs for voice and piano; incidental music for numerous plays; the one-act opera The Maiden in the Tower; chamber music, piano music, Masonic ritual music, and 21 publications of choral music.

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Kalevala in the context of Ahti

Ahti is a water god in Finnish mythology.

In the Kalevala, he is referred to with the name Ahto in order to not confuse him with the separate character Ahti Saarelainen.

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Kalevala in the context of Väinämöinen

Väinämöinen (Finnish pronunciation: [ˈʋæi̯næˌmøi̯nen]) is a demigod, hero and the central character in Finnish folklore and the main character in the national epic Kalevala by Elias Lönnrot. Väinämöinen was described as an old and wise man, and he possessed a potent, magical singing voice.

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Kalevala in the context of Louhi

Louhi (Finnish pronunciation: [ˈlou̯hi]; alternate names include Loviatar (Finnish pronunciation: [ˈloʋiɑtɑr]), Loveatar, Lovetar, Lovehetar, Louhetar and Louhiatar) is the ruler of Pohjola in Finnish mythology. She is regarded as a goddess of death and disease. She is also the mother of wolves. Her original role was likely as the ruler of the underworld.

In Kalevala, Elias Lönnrot split Louhi into two different characters, Louhi and Loviatar, describing Louhi as a wicked queen of Pohjola and Loviatar as a blind daughter of Tuoni. In Runo 45 of the Kalevala, Loviatar is impregnated by a great wind and gives birth to nine sons, the Nine diseases.

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