Albert Gustaf Aristides Edelfelt (21 July 1854 – 18 August 1905) was a Finnish painter noted for his naturalistic style and Realist approach to art. He lived in the Grand Duchy of Finland and made Finnish culture visible abroad, before Finland gained independence. He was considered the greatest Finnish artist of the second half of 19th and the first half of the 20th centuries, and one of the most prominent contributors to the Golden Age of Finnish Art.
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👉 Albert Edelfelt in the context of Golden Age of Finnish Art
The Golden Age of Finnish Art coincided with the national awakening of Finland, during the era of the Grand Duchy of Finland under the Russian Empire. It is believed to span an era from the late 19th Century to the early 20th Century, approximately 1880 to 1910. The epic poetry form known as Kalevala, developed during the 19th Century, provided the artistic inspiration for numerous themes at the time, including in visual arts, literature, music and architecture; however, the "Golden Age of Finnish Art" is generally regarded as referring to the realist and romantic nationalist painters of the time. Notable figures of the time include Akseli Gallen-Kallela, Pekka Halonen, Albert Edelfelt, Jean Sibelius, Eino Leino, Helene Schjerfbeck, Emil Wikström, Eero Järnefelt and Eliel Saarinen.
Finnish art became more widely known in Europe at the Paris Exposition of 1900, where the Finnish pavilion was one of the most popular among the attendees.
In this Dossier
Albert Edelfelt in the context of List of pupils of Jean-Léon Gérôme
This is an incomplete list of the pupils of Jean-Léon Gérôme.
- Laureano Barrau
- Jacques Barcat
- Henri Beau
- Osman Hamdi Bey
- Pascal Dagnan-Bouveret
- Georges Ferdinand Bigot
- Frank Myers Boggs
- Frederick Arthur Bridgman
- George de Forest Brush
- Edwin Lord Weeks
- George Bridgman
- Dennis Miller Bunker
- Eugène Burnand
- Mary Cassatt
- Gustave-Claude-Etienne Courtois
- Kenyon Cox
- William de Leftwich Dodge
- Wynford Dewhurst, R.B.A.
- Thomas Millie Dow
- Thomas Eakins
- Wyatt Eaton
- Albert Edelfelt
- Delphin Enjolras
- Herbert Cyrus Farnum
- Jacques Gay
- Gabriel Guay
- Edmund Aubrey Hunt
- Paul-Eugène Mesplès
- Henri-Paul Motte
- Henry Siddons Mowbray
- Aloysius O'Kelly
- Lawton S. Parker
- William McGregor Paxton
- Paul Peel
- R. G. Harper Pennington
- William Picknell
- Théophile Poilpot
- Théodore Ralli
- Odilon Redon
- Jules Ernest Renoux
- Carl Frederick von Saltza
- Julius LeBlanc Stewart
- Abbott Handerson Thayer
- Vasili Vasilyevich Vereshchagin
- Douglas Volk
- J. Alden Weir
- William Stott of Oldham
- Hosui Yamamoto
Albert Edelfelt in the context of Insult
An insult is an expression, statement, or behavior that is often deliberately disrespectful, offensive, scornful, or derogatory towards an individual or a group. Insults can be intentional or unintentional, and they often aim to belittle, offend, or humiliate the target. While insults may sometimes include factual information, such information is typically presented in a pejorative manner, intended to provoke a negative emotional response or to socially undermine or discredit the target. Insults can also be made unintentionally or in a playful way, but these can, in some cases, also have unintended negative impacts and effects.
Insults can have varying impacts, effects, and meanings depending on intent, use, recipient's understanding of the meaning, intent behind the action or words, and social setting and social norms, including cultural references and meanings.