July Revolution in the context of "Benjamin Constant"

Ludwig I or Louis I (German: Ludwig I.; 25 August 1786 – 29 February 1868) was King of Bavaria from 1825 until the 1848 revolutions in the German states. When he was crown prince, he was involved in the Napoleonic Wars. As king, he encouraged Bavaria's industrialization, initiating the Ludwig Canal between the rivers Main and the Danube. In 1835, the first German railway was constructed in his domain, between Fürth and Nuremberg, with his Bavaria joining the Zollverein economic union in 1834. After the July Revolution of 1830 in France, Ludwig's previous liberal policy became increasingly repressive; in 1844, Ludwig was confronted during the Beer riots in Bavaria. During the revolutions of 1848 he faced increasing protests and demonstrations by students and the middle classes. On 20 March 1848, he abdicated in favour of his eldest son, Maximilian.

Ludwig lived another 20 years after his abdication and remained influential. An admirer of ancient Greece and the Italian Renaissance, he patronized the arts and commissioned several neoclassical buildings, especially in Munich. He was an avid collector of arts, amassing paintings from the Early German and Early Dutch periods as well as Graeco-Roman sculptures.

The Bourbon Restoration was the period of French history during which the House of Bourbon returned to power after the fall of Napoleon Bonaparte in 1814 and 1815. The second Bourbon Restoration lasted until the July Revolution of 1830, during the reigns of Louis XVIII (1814–1815, 1815–1824) and Charles X (1824–1830), brothers of the late King Louis XVI. Exiled supporters of the monarchy returned to France, which had been profoundly changed by the French Revolution. Exhausted by the Napoleonic Wars, the kingdom experienced a period of internal and external peace, stable economic prosperity and the preliminaries of industrialisation.

The invasion of Algiers was a large-scale military operation by which the Kingdom of France, ruled by Charles X, invaded and conquered the Regency of Algiers. A diplomatic incident in 1827, the so-called Fan Affair (Fly Whisk Incident), served as a pretext to initiate a blockade against the port of Algiers. After three years of standstill and a more severe incident in which a French ship carrying an ambassador to the dey with a proposal for negotiations was fired upon, the French determined that more forceful action was required. Charles X also sought to divert attention from turbulent French domestic affairs which culminated with his deposition during the later stages of the invasion in the July Revolution.

The invasion began on 5 July 1830 with a naval bombardment by a fleet under Admiral Duperré and a landing by troops under Louis Auguste Victor de Ghaisne, comte de Bourmont. The French quickly defeated the troops of Hussein Dey, the Deylikal ruler, but native resistance was widespread. This resulted in a protracted military campaign, ultimately lasting more than 45 years, to root out popular opposition to the colonization. The so-called "pacification" was marked by resistance from figures such as Ahmed Bey, Emir Abdelkader, and Lalla Fatma N'Soumer. The invasion marked the end of the centuries-old Regency of Algiers and the beginning of the colonial period of French Algeria. In 1848, the territories conquered around Algiers were organised into three départements, defining the territories of modern Algeria.

The French Second Republic (French: Deuxième république française or La II République), officially the French Republic (République française), was the second republican formation of the government of France. The republic existed from 1848, when the monarchy fell, until its dissolution only four years later in 1852 upon the proclamation of the second French Empire.

Following the final defeat of Napoleon Bonaparte at the Battle of Waterloo, in June 1815, France had been reconstituted into a monarchy known as the Bourbon Restoration. After a brief period of revolutionary turmoil in 1830, royal power was again secured in the "July Monarchy", governed under principles of moderate conservatism and improved relations with the United Kingdom.

Marie-Joseph Paul Yves Roch Gilbert du Motier, Marquis de La Fayette (French: [ʒilbɛʁ dy mɔtje maʁki d(ə) la fajɛt]; 6 September 1757 – 20 May 1834), known in the United States as Lafayette (/ˌlɑːfiˈɛt, ˌlæf-/), was a French military officer and politician who volunteered to join the Continental Army, led by General George Washington, in the American Revolutionary War. Lafayette commanded Continental Army troops in the decisive siege of Yorktown in 1781, the Revolutionary War's final major battle, which secured American independence. After returning to France, Lafayette became a key figure in the French Revolution of 1789 and the July Revolution of 1830 and continues to be celebrated as a hero in both France and the United States.

Lafayette was born into a wealthy land-owning family in Chavaniac in the province of Auvergne in south-central France. He followed the family's martial tradition and was commissioned an officer at age 13. He became convinced that the American revolutionary cause was noble, and he traveled to the New World seeking glory in it. He was made a major general at age 19 but was initially not given American troops to command. He fought with the Continental Army at the Battle of Brandywine near Chadds Ford, Pennsylvania, where he was wounded but organized an orderly retreat, and he served with distinction in the Battle of Rhode Island. In the middle of the war, he returned home to France to lobby for an increase in French support for the American Revolution. He returned to America in 1780 and was given senior positions in the Continental Army. In 1781, troops under his command in Virginia blocked a British army led by Lord Cornwallis until other American and French forces could position themselves for the decisive siege of Yorktown.

The French Royal Army (French: Armée Royale Française) was the principal land force of the Kingdom of France. It served the Bourbon dynasty from the reign of Louis XIV in the mid-17th century to that of Charles X in the 19th, with an interlude from 1792 to 1814 and another during the Hundred Days in 1815. It was permanently dissolved following the July Revolution in 1830. The French Royal Army became a model for the new regimental system that was to be imitated throughout Europe from the mid-17th century onward. It was regarded as Europe's greatest military force for much of its existence.

Romantic nationalism (also national romanticism, organic nationalism, identity nationalism) is the form of nationalism in which the state claims its political legitimacy as an organic consequence of the unity of those it governs. This includes such factors as language, race, ethnicity, culture, religion, and customs of the nation in its primal sense of those who were born within its culture. It can be applied to ethnic nationalism as well as civic nationalism. Romantic nationalism arose in reaction to dynastic or imperial hegemony, which assessed the legitimacy of the state from the top down, emanating from a monarch or other authority, which justified its existence. Such downward-radiating power might ultimately derive from a god or gods(see the divine right of kings and the Mandate of Heaven).

Among the key themes of Romanticism, and its most enduring legacy, the cultural assertions of romantic nationalism have also been central in post-Enlightenment art and political philosophy. From its earliest stirrings, with their focus on the development of national languages and folklore, and the spiritual value of local customs and traditions, to the movements that would redraw the map of Europe and lead to calls for self-determination of nationalities, nationalism was one of the key issues in Romanticism, determining its roles, expressions and meanings. Romantic nationalism, resulting from this interaction between cultural production and political thought, became "the celebration of the nation (defined in its language, history and cultural character) as an inspiring ideal for artistic expression; and the instrumentalization of that expression in political consciousness-raising".

The July Monarchy (French: Monarchie de Juillet), officially the Kingdom of France (French: Royaume de France), was a liberal constitutional monarchy in France under Louis Philippe I, starting on 9 August 1830, with the revolutionary victory in the July Revolution of 1830, and ending on 24 February 1848, with the Revolution of 1848. It marks the end of the Bourbon Restoration (1814–1830). It began with the overthrow of the conservative government of Charles X, the last king of the main line House of Bourbon.

Louis Philippe I, a member of the more liberal Orléans branch of the House of Bourbon, proclaimed himself as Roi des Français ("King of the French") rather than "King of France", emphasizing the popular origins of his reign. The king promised to follow the juste milieu, or the middle-of-the-road, avoiding the extremes of both the conservative supporters of Charles X and radicals on the left.

Honoré-Victorin Daumier (French: [ɔnɔʁe domje]; February 26, 1808 – February 10 or 11, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870. He earned a living producing caricatures and cartoons in newspapers and periodicals such as La Caricature and Le Charivari, for which he became well known in his lifetime and is still remembered today. He was a republican democrat (working class liberal), who satirized and lampooned the monarchy, aristocracy, clergy, politicians, the judiciary, lawyers, police, detectives, the wealthy, the military, the bourgeoisie, as well as his countrymen and human nature in general.

Daumier was a serious painter, loosely associated with realism, sometimes blurring the boundaries between caricature and fine art. Although he occasionally exhibited at the Parisian Salon, his paintings were largely overlooked and ignored by the French public and critics of the day. Yet Daumier's fellow painters, as well as the poet and art critic Charles Baudelaire, noticed and greatly admired his work. Later generations would recognize Daumier as one of the great French artists of the 19th century, profoundly influencing a younger generation of impressionist and postimpressionist painters. Daumier was a tireless and prolific artist and produced more than 100 sculptures, 500 paintings, 1,000 drawings, 1,000 wood engravings, and 4,000 lithographs.