Judah Halevi in the context of "Ibn Gabirol Street"

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⭐ Core Definition: Judah Halevi

Judah haLevi (also Yehuda Halevi or ha-Levi; Hebrew: יהודה בן שמואל הלוי, romanizedYəhūḏā ben Šəmūʾēl ha-Lēvī; Arabic: أبو الحسن يهوذا اللاوي, romanizedAbū-l-Ḥasan Yahūḏā al-Lāwī; c. 1075–1141) was a Sephardic Jewish poet, physician and philosopher. HaLevi is considered one of the greatest Hebrew-language poets and is celebrated for his secular and religious poems, many of which appear in present-day Jewish liturgy.

Judah haLevi was born in either Tudela or Toledo in Al-Andalus, then under Almoravid rule. Although little is known about his early life or education, it is clear that he was well-versed in Arabic, Hebrew, and classical sciences, including medicine and philosophy. In his youth, he began composing Hebrew poetry, and his reputation eventually reached Moses ibn Ezra in Granada. After initial difficulties in traveling due to political shifts, haLevi was able to establish literary connections across major Jewish centers in al-Andalus.

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👉 Judah Halevi in the context of Ibn Gabirol Street

Ibn Gabirol Street (Hebrew: רְחוֹב אִבְּן גַבִּירוֹל) (colloquially Ibn Gvirol or Even Gvirol) is a major street in Tel Aviv, Israel.

Ibn Gabirol Street is named after the medieval Hebrew poet and philosopher Solomon ibn Gabirol. It carries traffic north and south, and is a busy residential and shopping street. It intersects Marmorek, Laskov, Carlebach and fellow medieval Spaniard Yehuda HaLevi streets on the south, and runs northbound along Rabin Square and Yarkon Park to Basel Street and Shmuel Yosef Agnon Street in the north. The street is also home to Tel Aviv City Hall.

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Judah Halevi in the context of Khazar hypothesis of Ashkenazi ancestry

The Khazar hypothesis of Ashkenazi ancestry, often called the Khazar myth by its critics, is a largely abandoned historical hypothesis that postulated that Ashkenazi Jews were primarily, or to a large extent, descended from converts to Judaism among the Khazars, a multi-ethnic conglomerate of mostly Turkic peoples who formed a semi-nomadic khanate in and around the northern and central Caucasus and the Pontic–Caspian steppe in the late 6th century CE. It is still sometimes used in antisemitic conspiracy theories and in various anti-Zionist approaches. The hypothesis draws on medieval sources such as the Khazar Correspondence, according to which at some point in the 8th–9th centuries, a small number of Khazars were said by Judah Halevi and Abraham ibn Daud to have converted to Rabbinic Judaism. The hypothesis also postulates that after collapse of the Khazar empire, the Khazars fled to Eastern Europe and made up a large part of the Jews there. The scope of the conversion within the Khazar Khanate remains uncertain, but the evidence used to tie the subsequent Ashkenazi communities to the Khazars is meager and subject to conflicting interpretations.

Speculation that Europe's Jewish population originated among the Khazars has persisted for two centuries, from at least as early as 1808. In the late 19th century, Ernest Renan and other scholars speculated that the Ashkenazi Jews of Europe originated among refugees who had migrated from the collapsed Khazarian Khanate westward into Europe. Though intermittently evoked by several scholars since that time, the Khazar-Ashkenazi hypothesis came to the attention of a much wider public with the publication of Arthur Koestler's The Thirteenth Tribe in 1976. It has been revived recently by geneticist Eran Elhaik, who in 2013 conducted a study aiming to vindicate it.

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Judah Halevi in the context of Jewish poetry from al-Andalus

The golden age of Jewish poetry in Al-Andalus developed in the literary courts of the various taifas. Like its Arabic counterpart, its production diminished in the 12th century under the rule of the Almoravids and Almohads. In the last part of the 10th century, Dunash ben Labrat revolutionized Jewish poetry in Al-Andalus by bringing Arabic meter and monorhyme into Hebrew writing. Jewish poets employed Arabic poetic themes, writing bacchic poetry, garden poetry, and love poetry.

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