Joris-Karl Huysmans in the context of "Odilon Redon"

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⭐ Core Definition: Joris-Karl Huysmans

Charles-Marie-Georges Huysmans (US: /wsˈmɒ̃s/, French: [ʃaʁl maʁi ʒɔʁʒ ɥismɑ̃s]; 5 February 1848 – 12 May 1907) was a French novelist and art critic who published his works as Joris-Karl Huysmans (French: [ʒɔʁis kaʁl -], abbreviated as J. K. or J.-K.). He is most famous for the novel À rebours (1884, published in English as Against the Grain and as Against Nature). He supported himself by way of a 30-year career in the French civil service.

Huysmans's work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the Decadent movement with his publication of À rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion, and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book.

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👉 Joris-Karl Huysmans in the context of Odilon Redon

Odilon Redon (born Bertrand Redon; French: [ɔdilɔ̃ ʁədɔ̃]; 20 April 1840 – 6 July 1916) was a French Symbolist draftsman, printmaker, and painter.

Early in his career, both before and after fighting in the Franco-Prussian War, Redon worked almost exclusively in charcoal and lithography, works known as his noirs. He gained recognition after his drawings were mentioned in the 1884 novel À rebours (Against Nature) by Joris-Karl Huysmans. During the 1890s, Redon began working in pastel and oil, which quickly became his favorite medium, abandoning his previous style of noirs completely after 1900. He developed a keen interest in Hindu and Buddhist religion and culture, which increasingly showed in his work.

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Joris-Karl Huysmans in the context of Spiritual naturalism

Spiritual naturalism, or naturalistic spirituality combines a naturalist philosophy with spirituality. Spiritual naturalism may have first been proposed by Joris-Karl Huysmans in 1895 in his book En Route.

Long before the term spiritual naturalism was coined by Huysmans, there is evidence of the value system of spiritual naturalism in Stoicism: "Virtue consists in a will that is in agreement with Nature".

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Joris-Karl Huysmans in the context of Les Soirées de Médan

Les Soirées de Médan ("Evenings at Médan") is a collection of six short stories by six different writers associated with Naturalism, first published in 1880. All the stories concern the Franco-Prussian War. The contents of the book are as follows:

The collection took its title from Zola's house at Médan, near Paris, where writers would meet for literary dinners. The authors were often referred to collectively as the "Médan group". The aim of the collection was to promote the ideals of Naturalism, by treating the events of the Franco-Prussian War in a realistic and often unheroic way, in contrast to officially approved patriotic views of the war.

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Joris-Karl Huysmans in the context of Black Mass

A Black Mass is a ceremony celebrated by various Satanic groups. It has allegedly existed for centuries in different forms, and the modern form is intentionally a sacrilegious and blasphemous parody of a Catholic Mass.

In the 19th century the Black Mass became popularized in French literature, in books such as Satanism and Witchcraft, by Jules Michelet, and Là-bas, by Joris-Karl Huysmans.

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Joris-Karl Huysmans in the context of Robert Baldick

Robert André Edouard Baldick, FRSL, (9 November 1927 – 24 April 1972) was a British scholar of French literature, writer, translator and joint editor of the Penguin Classics series with Betty Radice. He was a Fellow of Pembroke College, Oxford.

He wrote eight books, including biographies of Joris-Karl Huysmans, Frédérick Lemaître, and Henry Murger, and a history of the Siege of Paris. In addition, he edited and translated Pages from the Goncourt Journals and other classics of French literature, including Gustave Flaubert's Sentimental Education, Jules Verne's Journey to the Centre of the Earth, and Jean-Paul Sartre's Nausea, as well as works by Chateaubriand and Henri Barbusse and a number of novels by Georges Simenon. In The New Criterion, Eric Ormsby writes that Baldick's The Life of J.-K. Husymans is "able to hold its own with Painter's Proust or Ellman's Joyce".

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