John Gay in the context of "James Lacy (actor)"

The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadside ballads, opera arias, church hymns and folk tunes of the time.

The Beggar's Opera premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's Pomone in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, The Beggar's Opera began a revival run of 1,463 performances at the Lyric Theatre in Hammersmith, London, which was one of the longest runs in history for any piece of musical theatre at that time.

Gulliver's Travels, originally titled Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, is a 1726 satirical prose novel by the Anglo-Irish writer and clergyman Jonathan Swift. The novel satirises human nature and the imaginary "travellers' tales" literary subgenre. Gulliver's Travels is one of the most famous classics of both English and world literature, and popularised the fictional island of Lilliput. The poet John Gay remarked of the work, "It is universally read, from the cabinet council to the nursery." Although the novel is popularly classified under children's literature, Swift had originally written it as a political satire. The book has been adapted for theatrical performances, films, television, and radio over the centuries.

The story is about Lemuel Gulliver, an adventurous Englishman who travels to a series of strange and distant lands, each inhabited by unusual beings that reflect different aspects of human nature and society. In Lilliput, he encounters tiny people engaged in petty political disputes; in Brobdingnag, he is a small man among giants who criticise European customs; in Laputa, he meets impractical intellectuals disconnected from reality; and in the land of the Houyhnhnms, he finds rational horses living peacefully alongside savage human-like creatures called Yahoos. Through these journeys, the novel satirises the flaws of various civilisations.

The Scriblerus Club was an informal association of authors, based in London, that came together in the early 18th century. They were prominent figures in the Augustan Age of English letters. The nucleus of the club included the satirists Jonathan Swift and Alexander Pope. Other members were John Gay, John Arbuthnot, Henry St. John and Thomas Parnell. The group was founded in 1714 and lasted until the death of the founders, finally ending in 1745. Pope and Swift are the two members whose reputations and work have the most long-lasting influence. Working collaboratively, the group created the persona of Martinus Scriblerus, through whose writings they accomplished their satirical aims. Very little of this material, however, was published until the 1740s. Robert Harley, 1st Earl of Oxford and Mortimer occasionally joined the club for meetings, though he is not known to have contributed to their literary output. He, along with Henry St John, 1st Viscount Bolingbroke, contributed to the literary productions of the club.

The club began as an effort to satirize the abuses of learning wherever they might be found, which led to The Memoirs of Martinus Scriblerus. The second edition of Pope's The Dunciad also contains work attributed to Martinus Scriblerus.

Captain Macheath is a fictional character who appears both in John Gay's The Beggar's Opera (1728), its sequel Polly (1777), and 150 years later in Bertolt Brecht's The Threepenny Opera (1928).

The Threepenny Opera (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much contribution Hauptmann might have made to the libretto, Brecht is usually listed as sole author and Hauptmann as the sole translator, which was probably an unfair oversimplification typical of the time.

The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm.