John Donne in the context of "Geneva Bible"

Organic unity is the idea that a thing is made up of interdependent parts. For example, a body is made up of its constituent organs, and a society is made up of its constituent social roles. In Aristotle's Poetics he likened drama narrative's and action to organic form, presenting it as “a complete whole, with its several incidents so closely connected that the transposal or withdrawal of any one of them will disjoin and dislocate the whole.” The main theme of organic unity relies on a free-spirited style of writing and by following any guidelines or genre-based habits, the true nature of a work becomes stifled and unreliable on an artistic plane. The concept of organic unity gained popularity through the New Critics movement. Cleanth Brooks played an integral role in modernizing the organic unity principle. In The Well Wrought Urn, Brooks used the poem "The Canonization" by John Donne as an example to relate the importance of a work’s ability to flow and maintain a theme, so that the work gains momentum from beginning to end. Organic unity is the common thread that keeps a theme from becoming broken and disjointed as a work moves forward.

Trinity was the first detonation of a nuclear weapon, conducted by the United States Army at 5:29 a.m. Mountain War Time (11:29:21 GMT) on July 16, 1945, as part of the Manhattan Project. The test was of an implosion-design plutonium bomb, or "gadget" – the same design as the Fat Man bomb later detonated over Nagasaki, Japan, on August 9, 1945. Concerns about whether the complex Fat Man design would work led to a decision to conduct the first nuclear test. The code name "Trinity" was assigned by J. Robert Oppenheimer, the director of the Los Alamos Laboratory. The name was possibly inspired by the poetry of John Donne.

Planned and directed by Kenneth Bainbridge, the test was conducted in the Jornada del Muerto desert about 35 miles (56 km) southeast of Socorro, New Mexico, on what was the Alamogordo Bombing and Gunnery Range, but was renamed the White Sands Proving Ground just before the test. The only structures originally in the immediate vicinity were the McDonald Ranch House and its ancillary buildings, which scientists used as a laboratory for testing bomb components.

The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks. It is considered a seminal text in the New Critical school of literary criticism. The title contains an allusion to the fourth stanza of John Donne's poem, "The Canonization", which is the primary subject of the first chapter of the book.

"The Canonization" is a poem by English metaphysical poet John Donne. First published in 1633, the poem is viewed as exemplifying Donne's wit and irony. It is addressed to one friend from another, but concerns itself with the complexities of romantic love: the speaker presents love as so all-consuming that lovers forgo other pursuits to spend time together. In this sense, love is asceticism, a major conceit in the poem. The poem's title serves a dual purpose: while the speaker argues that his love will canonise him into a kind of sainthood, the poem itself functions as a canonisation of the pair of lovers.

New Critic Cleanth Brooks used the poem, along with Alexander Pope's "An Essay on Man" and William Wordsworth's "Composed upon Westminster Bridge, September 3, 1802", to illustrate his argument for paradox as central to poetry.

Gavriil (Gavrila) Romanovich Derzhavin (Russian: Гаврии́л (Гаври́ла) Рома́нович Держа́вин, IPA: [ɡɐˈvrilə rɐˈmanəvʲɪtɕ dʲɪrˈʐavʲɪn] ; 14 July 1743 – 20 July 1816) was one of the most highly esteemed Russian poets before Alexander Pushkin, as well as a statesman. Although his works are traditionally considered literary classicism, his best verse is rich with antitheses and conflicting sounds in a way reminiscent of John Donne and other metaphysical poets.

Harmonium is a composition for chorus and orchestra by the American composer John Adams, written in 1980–1981 for the first season of Davies Symphony Hall in San Francisco, California. The work is based on poetry by John Donne and Emily Dickinson and is regarded as one of the key compositions of Adams' "minimalist" period.

The work was premiered by the San Francisco Symphony and San Francisco Symphony Chorus, with conductor Edo de Waart, on 15 April 1981, and subsequently recorded it. The UK premiere was on 13 October 1987 at Birmingham Town Hall, with the City of Birmingham Symphony Orchestra (CBSO) conducted by Simon Rattle. Rattle and the CBSO gave the London premiere on 28 July 1990 at The Proms.