John Bull in the context of "Civilizing mission"

A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda. In the first personifications in the Western World, warrior deities or figures symbolizing wisdom were used (for example the goddess Athena in ancient Greece), to indicate the strength and power of the nation. Some personifications in the Western world often took the Latin name of the ancient Roman province. Examples of this type include Britannia, Germania, Hibernia, Hispania, Lusitania, Helvetia and Polonia.

Examples of personifications of the Goddess of Liberty include Marianne, the Statue of Liberty (Liberty Enlightening the World), and many examples of United States coinage. Another ancient model was Roma, a female deity who personified the city of Rome and her dominion over the territories of the Roman Empire. Roma was probably favoured by Rome's high-status Imperial representatives abroad, rather than the Roman populace at large. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her as Roma Aeterna ("Eternal Rome"), and to Venus Felix, ("Venus the Bringer of Good Fortune"), emphasising the sacred, universal and eternal nature of the empire. Examples of representations of the everyman or citizenry in addition to the nation itself are Deutscher Michel, John Bull and Uncle Sam.

The century of humiliation (simplified Chinese: 百年国耻; traditional Chinese: 百年國恥; pinyin: bǎinián guóchǐ) was a period in Chinese history beginning with the First Opium War (1839–1842), and ending in 1945 with China (then the Republic of China) emerging out of the Second World War as one of the Big Four and established as a permanent member of the United Nations Security Council, or alternatively, ending in 1949 with the founding of the People's Republic of China. The century-long period is typified by the decline, defeat and political fragmentation of the Qing dynasty and the subsequent Republic of China, which led to demoralizing foreign intervention, annexation and subjugation of China by Western powers, Russia, and Japan.

The characterization of the period as a "humiliation" arose with an atmosphere of Chinese nationalism following China's defeat in the First Sino-Japanese War of 1894–1895 and the subsequent events including the scramble for concessions in the late 1890s. Since then the idea of national humiliation became a focus of discussions among many Chinese writers and scholars, although they differed somewhat in their understandings of national humiliation; ordinary scholars and constitutionalists also had different understanding of their home country from the anti-Qing revolutionaries in the late Qing period. The idea of national humiliation was also mentioned in late Qing textbooks.

"The White Man's Burden" (1899), by Rudyard Kipling, is a poem about the Philippine–American War (1899–1902) that exhorts the United States to assume colonial control of the Filipino people and their country.

In "The White Man's Burden", Kipling encouraged the American annexation and colonisation of the Philippine Islands, a Pacific Ocean archipelago purchased in the three-month Spanish–American War (1898). As an imperialist poet, Kipling exhorts the American reader and listener to take up the enterprise of empire yet warns about the personal costs faced, endured, and paid in building an empire; nonetheless, American imperialists understood the phrase "the white man's burden" to justify imperial conquest as a civilising mission that is ideologically related to the continental expansion philosophy of manifest destiny of the early 19th century. With a central motif of the poem being the superiority of white men, it has long been criticised as a racist poem.

Lèse-majesté or lese-majesty (UK: /ˌliːz ˈmædʒɪsti/ leez MAJ-ist-ee, US: /ˌleɪz -/ layz -⁠) is an offence or defamation against the dignity of a ruling head of state (traditionally a monarch but now more often a president) or of the state itself. The English name for this crime is a borrowing from medieval Anglo-Norman French, where lese majesté, leze majesté or lese magestate (among other variants) meant 'an offence against the person or dignity of the Crown', which traces back to Classical Latin laesa māiestās ('hurt or violated majesty'), which was a form of treason against the emperor under the law of maiestas in Ancient Rome. The modern spellings are due to the later influence of modern French (in the case of lèse-majesté), and the gradual transformation of Anglo-Norman into a highly Anglicised form known as Law French (in the case of lese-majesty), which also accounts for the Anglicised pronunciation.

The concept of lèse-majesté expressed the idea of a criminal offence against the dignity of the Roman Republic. In the Dominate, or late Empire period (from the 3rd century CE), the emperors continued to distance themselves from the republican ideals of the Roman Republic, and increasingly equated themselves with the state. Although legally the princeps civitatis (the emperor's official title, meaning, roughly, 'first citizen') could never become a sovereign because the republic was never officially abolished, emperors were deified as divus, first posthumously but later (by the Dominate period) while still reigning. Deified emperors enjoyed the same legal protection that was accorded to the divinities of the state cult; by the time Christianity replaced paganism in the Roman Empire, what was in all but name a monarchical tradition had already become well established.

Der Deutsche Michel ("Michael the German") is a figure representing the national character of the German people, rather as John Bull represents the English. He originated in the first half of the 19th century.

John Bull is the name of a succession of different periodicals published in the United Kingdom during the period 1820–1964. In its original form, a Sunday newspaper published from 1820 to 1892, John Bull was a champion of traditionalist conservatism. From 1906 to 1920, under Member of Parliament Horatio Bottomley, John Bull became a platform for his trenchant populist views. A 1946 relaunch by Odhams Press transformed John Bull magazine into something similar in style to the American magazine The Saturday Evening Post.

All versions of the publication intended to cash in on John Bull, the national personification of the United Kingdom in general and England in particular. (In political cartoons and similar graphic works, John Bull is usually depicted as a stout, middle-aged, country-dwelling, jolly and matter-of-fact man.)