Johannes Kreisler in the context of "E.T.A. Hoffmann"

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⭐ Core Definition: Johannes Kreisler

Johannes Kreisler is the name of a character in three novels by E.T.A. Hoffmann: Kreisleriana (1813), Johannes Kreisler, des Kapellmeisters Musikalische Leiden (1815), and The Life and Opinions of the Tomcat Murr together with a fragmentary Biography of Kapellmeister Johannes Kreisler on Random Sheets of Waste Paper (1822). He appears briefly in The Golden Pot (1814) and in some of Hoffmann's journalism as well.

The moody, asocial composer Kreisler, Hoffmann's alter ego, is a musical genius whose creativity is stymied by an excessive sensibility. The character inspired Robert Schumann's Kreisleriana for piano, op. 16 (1838), and the first movement of György Kurtág's Hommage à R. Sch. op. 15/d (merkwürdige Pirouetten des Kapellmeisters Johannes Kreisler), for clarinet, viola, and piano. In the manuscript of Brahms's Variations on a Theme by Schumann, Op. 9, he marked each variation with a B for Brahms or a Kr for Kreisler, modeling this practice on the two alter egos Schumann created for himself, "Florestan", which for Schumann represented the passionate and outgoing side of his nature and "Eusebius", the withdrawn, reflective side. Brahms's identification with his alter ego 'Johannes Kreisler Junior' would continue until at least 1860, with a number of manuscripts being dedicated to this alias and with the composer often being addressed as such by his friends Julius Otto Grimm and Joseph Joachim.

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Johannes Kreisler in the context of E. T. A. Hoffmann

Ernst Theodor Amadeus Hoffmann (born Ernst Theodor Wilhelm Hoffmann; 24 January 1776 – 25 June 1822) was a German Romantic author of fantasy and gothic horror, a jurist, composer, music critic and artist. He is the author of the novella The Nutcracker and the Mouse King, on which Pyotr Ilyich Tchaikovsky's ballet The Nutcracker is based. In addition, his stories form the basis of Jacques Offenbach's opera The Tales of Hoffmann, in which Hoffmann appears (heavily fictionalized) as the hero. The ballet Coppélia is based on two other stories that Hoffmann wrote, while Schumann's Kreisleriana is based on Hoffmann's character Johannes Kreisler.

Hoffmann's stories highly influenced 19th-century literature, and he is one of the major authors of the Romantic movement.

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Johannes Kreisler in the context of Kreisleriana

Kreisleriana, Op. 16, is a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte. Schumann claimed to have written it in only four days in April 1838 and a revised version appeared in 1850. The work was dedicated to Frédéric Chopin, but when a copy was sent to the Polish composer, "he commented favorably only on the design of the title page".

Kreisleriana is a very dramatic work and is viewed by some critics as one of Schumann's finest compositions. In 1839, soon after publishing it, Schumann called it in a letter "my favourite work," remarking that "The title conveys nothing to any but Germans. Kreisler is one of E. T. A. Hoffmann's creations, an eccentric, wild, and witty conductor." In 1843, when he had moved from writing for solo piano to much larger works, in particular Paradise and the Peri, he still listed it as one of his best piano works.

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