Gothic horror in the context of "E. T. A. Hoffmann"

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⭐ Core Definition: Gothic horror

Gothic fiction, sometimes referred to as Gothic horror (primarily in the 20th century), is a literary aesthetic of fear and haunting. The name of the genre is derived from the Renaissance-era use of the word "gothic", as a pejorative term meaning medieval and barbaric, which itself originated from Gothic architecture and in turn the Goths.

The first work to be labelled as Gothic was Horace Walpole's 1764 novel The Castle of Otranto, later subtitled A Gothic Story. Subsequent 18th-century contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford, and Matthew Lewis. The Gothic influence continued into the early 19th century, with Romantic works by poets such as Samuel Taylor Coleridge and Lord Byron. Novelists such as Mary Shelley, Charles Maturin, Walter Scott, and E. T. A. Hoffmann frequently drew upon Gothic motifs in their works as well.

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👉 Gothic horror in the context of E. T. A. Hoffmann

Ernst Theodor Amadeus Hoffmann (born Ernst Theodor Wilhelm Hoffmann; 24 January 1776 – 25 June 1822) was a German Romantic author of fantasy and gothic horror, a jurist, composer, music critic and artist. He is the author of the novella The Nutcracker and the Mouse King, on which Pyotr Ilyich Tchaikovsky's ballet The Nutcracker is based. In addition, his stories form the basis of Jacques Offenbach's opera The Tales of Hoffmann, in which Hoffmann appears (heavily fictionalized) as the hero. The ballet Coppélia is based on two other stories that Hoffmann wrote, while Schumann's Kreisleriana is based on Hoffmann's character Johannes Kreisler.

Hoffmann's stories highly influenced 19th-century literature, and he is one of the major authors of the Romantic movement.

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Gothic horror in the context of Count Dracula

Count Dracula (/ˈdrækjʊlə, -jə-/) is the title character and main antagonist of Bram Stoker's gothic horror novel Dracula (1897). He is considered the prototypical and archetypal vampire in subsequent works of fiction. Aspects of the character are believed by some to have been inspired by the 15th-century Wallachian prince Vlad the Impaler, who was also known as Vlad Dracula, and by Sir Henry Irving and Jacques Damala, actors with aristocratic backgrounds that Stoker had met during his life. Count Dracula is one of the best-known fictional figures of the Victorian era.

One of Dracula's most famous powers is his ability to turn others into vampires by biting them and infecting them with the vampiric disease. Other characteristics have been added or altered in subsequent popular fictional works, including books, films, cartoons, and video games.

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Gothic horror in the context of The Fall of the House of Usher

"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.

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Gothic horror in the context of Tim Burton

Timothy Walter Burton (born August 25, 1958) is an American filmmaker, animator, and artist. Known for pioneering goth subculture in the American film industry, Burton is famous for his gothic horror and dark fantasy films, his distinctive Burtonesque style, which blends gothic aesthetics with whimsical and surreal elements. He has received numerous accolades including an Emmy Award as well as nominations for two Academy Awards, a Golden Globe Award and three BAFTA Awards. He was honored with the Venice International Film Festival's Golden Lion for Lifetime Achievement in 2007 and was given the Order of Arts and Letters by Culture Minister of France in 2010.

Burton made his directorial film debut with the comedy Pee-wee's Big Adventure (1985) and gained prominence for Beetlejuice (1988) and Edward Scissorhands (1990). Burton also directed the superhero films Batman (1989) and Batman Returns (1992); the animated films Corpse Bride (2005) and Frankenweenie (2012); the science fiction films Mars Attacks! (1996) and Planet of the Apes (2001); the supernatural horror film Sleepy Hollow (1999); the fantasy films Big Fish (2003), Alice in Wonderland (2010), Dark Shadows (2012) and Dumbo (2019); the musicals Charlie and the Chocolate Factory (2005) and Sweeney Todd: The Demon Barber of Fleet Street (2007); and the biographical dramas Ed Wood (1994) and Big Eyes (2014). Starting in 2022, Burton has directed several episodes for the Netflix series Wednesday, for which he received a nomination for the Primetime Emmy Award for Outstanding Directing for a Comedy Series. He also directed Beetlejuice Beetlejuice (2024), the sequel to the 1988 film. Burton has frequently collaborated with composer Danny Elfman, who scored all but three of his films. He has released several books including The Melancholy Death of Oyster Boy & Other Stories (1997).

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