Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the Teutsche Academie, published between 1675 and 1680.
>>>PUT SHARE BUTTONS HERE<<<
👉 Joachim von Sandrart in the context of Little Masters
The Little Masters ("Kleinmeister" in German), were a group of German printmakers who worked in the first half of the 16th century, primarily in engraving. They specialized in very small finely detailed prints, some no larger than a postage stamp. The leading members were Hans Sebald Beham, his brother Barthel, and George Pencz, all from Nuremberg, and Heinrich Aldegrever and Albrecht Altdorfer. Many of the Little Masters' subjects were mythological or Old Testament stories, often treated erotically, or genre scenes of peasant life. The size and subject matter of the prints shows that they were designed for a market of collectors who would keep them in albums, of which a number have survived.
The term Kleinmeister was used of the Nuremberg Little Masters as early as 1679, by Joachim von Sandrart, and has been applied to other groups of artists, from the genre masters of the Dutch Golden Age to a group of 6th-century BC Ancient Greek vase-painters.
In this Dossier
Joachim von Sandrart in the context of Matthäus Merian the Elder
Matthäus Merian der Ältere (or "Matthew", "the Elder", or "Sr."; 22 September 1593 – 19 June 1650) was a Swiss-born engraver who worked in Frankfurt, Germany for most of his career, where he also ran a publishing house. He was a member of the patrician Basel Merian family.
Joachim von Sandrart in the context of Christoph Amberger
Christoph Amberger (c. 1505 – 1562) was a painter of Augsburg in the sixteenth century, a disciple of Hans Holbein, his principal work being the history of Joseph in twelve pictures.