Jimi Hendrix in the context of Noise in music

Polydor, also known as Polydor Records, is a British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. The company is usually mentioned as "Polydor Ltd. (UK)", or a similar form, for holding copyrights.

Notable current and past artists signed to the label include Rainbow, Siouxsie and the Banshees, Yngwie J. Malmsteen, the Cure, James Brown, Ray, Goodman & Brown, Atlanta Rhythm Section, John Mayall, Deep Purple, Cream, the Moody Blues, the Who, Jimi Hendrix, Focus, Fishmans, Bee Gees, Lana Del Rey, Stephen Fretwell, the Jam, Style Council, the Shadows, James Last, Eric Clapton, Gloria Gaynor, Level 42, Sam Fender, S Club, Girls Aloud, Cheryl, Raye, Ellie Goulding, Jesy Nelson, Cian Ducrot and Destroy Lonely.

Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. With an eclectic style drawing on psychedelia, outlandish fashion, and surreal humor, they have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.

The collective's origins date back to the doo-wop group the Parliaments, formed by Clinton during the late 1950s in suburban New Jersey. By the late 1960s, Clinton had gained experience as a producer-writer for Motown Records and, inspired by artists such as Jimi Hendrix, Sly Stone, and Frank Zappa, he relocated to Detroit and enlisted musicians from his New Jersey days in his own two sister bands Parliament and Funkadelic; the first would go on to develop a commercially successful style of science fiction–inspired funk, while the second pursued a heavier sound which blended funk with psychedelic rock. The name "Parliament-Funkadelic" became the catch-all term for the dozens of related musicians recording and touring different projects in Clinton's orbit, including the female vocal spinoff groups the Brides of Funkenstein and Parlet. Financial and label issues slowed the collective's recorded output in the 1980s while Clinton and other members began solo careers, with Clinton also consolidating the collective's multiple projects and touring under names such as George Clinton and the P-Funk All-Stars. In the 1990s, their sound became the chief inspiration for the West Coast hip hop subgenre G-funk.

In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original.

The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix).

The lead singer also typically guides the vocal ensemble and band with visual cues to indicate changes of tempo or dynamics, stops or pauses, and the starts of new sections (unless there is also a conductor onstage, as with a big band or unless an instrumentalist bandleader is providing this role). The lead vocalist also typically speaks to the audience between songs, to give information about a song (such as who wrote it or why it was chosen), introduce the band members, and develop rapport with the audience. The lead vocalist may also play a leadership role in rehearsals, unless there is a bandleader who takes on this role. If the lead singer is a singer-songwriter, she or he may write some or all of the lyrics or create entire songs (including chords and melodies).

Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American country, rockabilly, and rock and roll guitarist, singer and songwriter. A rockabilly great and pioneer of rock and roll, he began his recording career at the Sun Studio in Memphis in 1954. Among his best known songs are "Blue Suede Shoes", "Honey Don't", "Matchbox" and "Everybody's Trying to Be My Baby".

According to fellow musician Charlie Daniels, "Carl Perkins' songs personified the rockabilly era, and Carl Perkins' sound personifies the rockabilly sound more so than anybody involved in it, because he never changed". Perkins's songs were recorded by artists (and friends) as influential as Elvis Presley, the Beatles, Jimi Hendrix, Johnny Cash, Ricky Nelson, and Eric Clapton, which further cemented his prominent place in the history of popular music.

Robert Carl Ludwig (born December 11, 1944) is a retired American mastering engineer. He mastered recordings on all the major recording formats for all the major record labels, and on projects by more than 1,300 artists, including Led Zeppelin, Lou Reed, Metallica, Queen, Jimi Hendrix, Bryan Ferry, Paul McCartney, Nirvana, Bruce Springsteen, Tool and Daft Punk, with more than 3,000 credits. He is the recipient of thirteen Grammy and other awards. In 1992, Ludwig founded his own mastering facility, Gateway Mastering Studios, in Portland, Maine. He retired in 2023.

Ten is the debut studio album by the American rock band Pearl Jam, released on August 20, 1991, through Epic Records. Following the dissolution of their previous band Mother Love Bone in 1990, bassist Jeff Ament and guitarist Stone Gossard began rehearsing with new guitarist Mike McCready. The group recorded a five-song instrumental demo tape that included contributions from Matt Cameron on drums. Copies of the demo were eventually given to drummer Dave Krusen and vocalist Eddie Vedder, both of whom were invited to audition for the band in Seattle. Many of the songs on Ten were instrumental jams or reworked Mother Love Bone songs for which Vedder composed new melodies and lyrics.

Despite its reputation as a quintessential grunge album, Ten is often noted for displaying a stronger classic rock influence than other contemporary grunge releases, drawing comparisons to the work of Jimi Hendrix and Led Zeppelin. The album is also characterised as having an anthemic, rich sound. Ten was not an immediate commercial success, but by late 1992, it had reached number two on the Billboard 200. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy".

Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter. His revolutionary approach to the harmonica had a strong impact on the succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player.