Jean-Baptiste-Camille Corot in the context of "Sens"

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⭐ Core Definition: Jean-Baptiste-Camille Corot

Jean-Baptiste-Camille Corot (UK: /ˈkɒr/ KORR-oh, US: /kəˈr, kɔːˈr/ kə-ROH, kor-OH; French: [ʒɑ̃ batist kamij kɔʁo]; 16 July 1796 – 22 February 1875), or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.

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👉 Jean-Baptiste-Camille Corot in the context of Sens

Sens (French pronunciation: [sɑ̃s] ) is a commune in the Yonne department in Bourgogne-Franche-Comté in north-central France, 120 km southeast from Paris.

Sens is a sub-prefecture and the second largest city of the department, the sixth largest in the region. It is crossed by the Yonne and the Vanne, which empties into the Yonne here. At the last census of 2021, the municipality had 27,034 inhabitants. Its inhabitants are called les Senonese in French.

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Jean-Baptiste-Camille Corot in the context of Narni

Narni (Latin: Narnia) is an ancient hilltown and comune (municipality) of Umbria, in central Italy, with 19,252 inhabitants (2017). At an altitude of 240 metres (790 ft), it overhangs a narrow gorge of the River Nera in the province of Terni. It is very close to the geographical centre of Italy. There is a stone on the exact spot with a sign in multiple languages.

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Jean-Baptiste-Camille Corot in the context of Camille Pissarro

Jacob Abraham Camille Pissarro (/pɪˈsɑːr/ piss-AR-oh; French: [kamij pisaʁo]; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord", and he was also one of Paul Gauguin's masters. Pierre-Auguste Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".

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Jean-Baptiste-Camille Corot in the context of Eurydice

Eurydice (/jʊəˈrɪdɪs/ ; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: [eu̯.ry.dí.kɛː]) was a character in Greek mythology and the wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.

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Jean-Baptiste-Camille Corot in the context of Sous-bois

The Barbizon school (French: école de Barbizon, pronounced [ekɔl baʁbizɔ̃]) is the name given to oil painters and others who were part of an art movement advancing Realism in art, which arose in the context of the dominant Romantic Movement of the time. Roughly active from 1830 through 1870, the "school" gained its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, which occasionally included farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.

The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Edouard Manet, Edgar Degas, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but British art historian Harold Osborne suggested that "his work has a poetic and literary quality which sets him somewhat apart". Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français, and Émile van Marcke.

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Jean-Baptiste-Camille Corot in the context of The Bridge at Narni

The Bridge at Narni (French: Le pont de Narni) is an 1826 painting of the Ponte d'Augusto at Narni by French artist Jean-Baptiste-Camille Corot. The painting is on display at the Musée du Louvre in Paris.

It was painted in September 1826 and was the basis for the larger and more finished View at Narni, which was exhibited at the Salon of 1827 and is in the National Gallery of Canada, Ottawa.

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Jean-Baptiste-Camille Corot in the context of Muzeul Naţional de Artă al României

The National Museum of Art of Romania (Romanian: Muzeul Național de Artă al României) is located in the Royal Palace in Revolution Square, central Bucharest. It features collections of medieval and modern Romanian art, as well as the international collection assembled by the Romanian royal family.

The exhibition "Shadows and Light" ran from 15 July to 2 October 2005. With four centuries of French art, it was the largest exhibition of French painting in Central and Eastern Europe since 1945. 77 works were exhibited, including masterpieces by painters such as Poussin, Chardin, Ingres, David, Delacroix, Corot, Cézanne, Matisse, Picasso, and Braque.

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