Jazz standard in the context of "Herbie Hancock"

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⭐ Core Definition: Jazz standard

Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (lead sheet collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards.

Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of a minority ethnic group's music (such as Romani music) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard if it is widely played among jazz musicians. The jazz standard repertoire has some overlap with blues and pop standards.

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👉 Jazz standard in the context of Herbie Hancock

Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, he experimented with jazz fusion, funk, and electro styles using a wide array of synthesizers and electronics. It was during this time that he released one of his best-known and most influential albums, Head Hunters.

Hancock's best-known compositions include "Cantaloupe Island", "Watermelon Man", "Maiden Voyage", and "Chameleon", all of which are jazz standards. During the 1980s, he had a hit single with the electronic instrumental "Rockit", a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 2007 album River: The Joni Letters, a tribute to his friend Joni Mitchell. In 2024, Neil McCormick of The Daily Telegraph ranked Hancock as the greatest keyboard player of all time. In 2025, he received the Polar Music Prize.

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Jazz standard in the context of Billie Holiday

Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday made significant contributions to jazz music and pop singing. Her vocal style, strongly influenced by jazz instrumentalists, inspired a new way of manipulating phrasing and tempo. Holiday was known for her vocal delivery and improvisational skills.

After a turbulent childhood, Holiday began singing in nightclubs in Harlem where she was heard by producer John Hammond, who liked her voice. Holiday signed a recording contract with Brunswick in 1935. Her collaboration with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. However, by the late 1940s, she was beset with legal troubles and drug abuse. After a short prison sentence, Holiday performed a sold-out concert at Carnegie Hall.She was a successful concert performer throughout the 1950s, with two further sold-out shows at Carnegie Hall. Because of personal struggles and an altered voice, Holiday's final recordings were met with mixed reaction, but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of cirrhosis and heart failure on July 17, 1959, at age 44.

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Jazz standard in the context of Great American Songbook

The Great American Songbook is the loosely defined canon of significant 20th-century American jazz standards, popular songs, and show tunes.

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Jazz standard in the context of I Got Rhythm

"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)".

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Jazz standard in the context of Embraceable You

"Embraceable You" is a jazz standard song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in that year's Broadway musical Girl Crazy, performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.

Billie Holiday's 1944 recording was inducted into the Grammy Hall of Fame in 2005.

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