Jayne Mansfield in the context of "Joi Lansing"

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👉 Jayne Mansfield in the context of Joi Lansing

Joi Lansing (born Joy Rae Brown; April 6, 1929 – August 7, 1972) was an American model, film and television actress, and nightclub singer. She was noted for her pin-up photos and roles in B-movies, as well as a prominent role in the famous opening "tracking shot" in Orson Welles' 1958 crime drama Touch of Evil.

Lansing was often cast in roles similar to those played by her contemporaries Jayne Mansfield and Mamie Van Doren. She frequently was clad in skimpy costumes and bikinis that accentuated her figure (34D bust), but she never posed nude.

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Jayne Mansfield in the context of Blonde stereotype

Blonde stereotypes are stereotypes of blonde-haired people, especially women, generally treating them as pretty but sillier and less clever than other people and often comparing them unfavorably to brunettes. Examples of this stereotype are the "blonde bombshell" and the "dumb blonde." Despite popular blonde jokes on these premises, research has shown that blonde women are not less intelligent than women with other hair colors.

The blonde bombshell is one of the most notable and consistently popular female character types in cinema. Many Hollywood celebrities have used it to their advantage, including Jean Harlow, Marlene Dietrich, Marilyn Monroe, Jayne Mansfield, Brigitte Bardot and Mamie Van Doren.

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Jayne Mansfield in the context of Nudity in film

Nudity in film has been a topic of discussion and debate since the beginning of film as a medium. It may be obvious or merely suggestive, such as when a person appears to be naked but is covered by a sheet. It is a distinct topic from sex in film, as many films contain nudity in a non-sexual context, although nudity is almost always present in pornographic films, and are commonly seen in erotic films.

Nude scenes are considered controversial in many cultures because they often challenge a community's standards of modesty. These standards vary by culture and depend on the type of nudity, who is exposed, which parts of the body are exposed, the duration of the exposure, the posing, the context, or other aspects.

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Jayne Mansfield in the context of Eddie Cochran

Edward Ray Cochran (/ˈkɒkrən/ KOK-rən; October 3, 1938 – April 17, 1960) was an American rock and roll musician. His songs, such as "Twenty Flight Rock", "Summertime Blues", "C'mon Everybody" and "Somethin' Else", captured teenage frustration and desire in the mid-1950s and early 1960s. Cochran experimented with multitrack recording, distortion techniques, and overdubbing, even on his earliest singles. Cochran played the guitar, piano, bass, and drums. His image as a sharply dressed and attractive young man with a rebellious attitude epitomized the stance of the 1950s rocker, and in death, Cochran achieved iconic status.

Cochran was involved with music from an early age, playing in the school band and teaching himself to play blues guitar. In 1955, Cochran formed a duo with the guitarist Hank Cochran (no relation) and became known as the Cochran Brothers. When they split the following year, Eddie began a song-writing career with Jerry Capehart. His first success came when he performed the song "Twenty Flight Rock" in the film The Girl Can't Help It, starring Jayne Mansfield. Soon afterward, he signed a recording contract with Liberty Records and his first record for the label, "Sittin' in the Balcony", rose to number 18 on the Billboard charts.

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