Jataka tales in the context of "Happy ending"

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⭐ Core Definition: Jataka tales

The Jātaka (Sanskrit for "Birth-Related" or "Birth Stories") are a voluminous body of literature native to the Indian subcontinent which mainly concern the previous births of Gautama Buddha in both human and animal form. Jataka stories were depicted on the railings and torans of the stupas. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature." Some of these texts are also considered great works of literature in their own right. The various Indian Buddhist schools had different collections of jātakas. The largest known collection is the Jātakatthavaṇṇanā of the Theravada school, as a textual division of the Pāli Canon, included in the Khuddaka Nikaya of the Sutta Pitaka.

In these stories, the future Buddha may appear as a king, an outcaste, a deva, an animal—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Often, Jātaka tales include an extensive cast of characters who interact and get into various kinds of trouble – whereupon the Buddha character intervenes to resolve all the problems and bring about a happy ending. The Jātaka genre is based on the idea that the Buddha was able to recollect all his past lives and thus could use these memories to tell a story and illustrate his teachings.

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Jataka tales in the context of Ravana

Ravana (Sanskrit: रावण, romanizedRāvaṇa, lit.'roaring') is the principal antagonist of the ancient Hindu epic Ramayana and its several other versions. He is traditionally depicted as a ten-headed rakshasa (demon) king of Lanka. In the Ramayana, Ravana is described as the eldest son of sage Vishrava and Kaikasi. He abducted Rama's wife, Sita, and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Rama, with the support of vanara King Sugriva and his army of vanaras, launched a rescue operation for Sita against Ravana in Lanka. Ravana was subsequently slain, and Rama rescued his beloved wife Sita.

Ravana was well-versed in the six shastras and the four Vedas, including the Shiva Tandava Stotra. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are often seen associated with Shiva at temples. He also appears in the Buddhist Mahayana text Laṅkāvatāra Sūtra, in Buddhist Jatakas, as well as in Jain Ramayanas. In Vaishnava scriptures, he is depicted as one of Vishnu's cursed doorkeepers.

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Jataka tales in the context of Buddhist mythology

The Buddhist traditions have created and maintained a vast body of mythological literature. The central myth of Buddhism revolves around the purported events of the life of the Buddha. This is told in relatively realistic terms in the earliest texts, and was soon elaborated into a complex literary mythology. The chief motif of this story, and the most distinctive feature of Buddhist myth, is the Buddha's renunciation: leaving his home and family for a spiritual quest. Alongside this central myth, the traditions contain large numbers of smaller stories, which are usually supposed to convey an ethical or Buddhist teaching. These include the popular Jātakas, folk tales or legends believed to be past lives of Gautama Buddha. Since these are regarded as episodes in the life of the Buddha, they are treated here as “myth”, rather than distinguishing between myth, legend, and folk-tale.

Buddhist mythology is maintained in texts, but these have always existed alongside oral traditions of storytelling, as well as creative retellings of myths as drama or artworks. This creative mythology continues to this day, and includes film, television, and musical adaptions of Buddhist myths.

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Jataka tales in the context of Rishyasringa

Rishyasringa (Sanskrit: ऋष्यशृङ्ग; IAST: Ṛṣyaśṛṅga; Pali: Isisiṅga) is a rishi mentioned in Hindu and Buddhist scriptures from the late first millennium BCE. According to the Hindu epics Ramayana and Mahabharata, he was a boy born with the horns of a deer who became a seer and was lured by royal courtesans, which led to the yajna (fire sacrifice) of King Dasharatha. His story also occurs in the Buddhist Jatakas, where he is mentioned as the son of Bodhisatta and was tried to be seduced by royal courtesans.

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Jataka tales in the context of Suvarnabhumi

Suvarṇabhūmi (Sanskrit: सुवर्णभूमि, IPA: [suʋɐrɳɐbʰuːmi]; Pali: Suvaṇṇabhūmi, IPA: [suʋɐɳːɐbʰuːmi]; lit.'golden land') is a toponym that appears in many ancient Indian literary sources and Buddhist texts such as the Mahavamsa, some of the Jataka tales, the Milinda Panha and the Ramayana.

Though its exact location is unknown and remains a matter of debate, Suvarṇabhūmi was an important port along trade routes that run through the Indian Ocean, setting sail from the wealthy ports in Basra, Ubullah, and Siraf, through Muscat, Malabar, Ceylon, the Nicobars, Kedah and on through the Strait of Malacca to fabled Suvarṇabhūmi.

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Jataka tales in the context of Phra Lak Phra Lam

Phra Lak Phra Ram (ພຣະລັກພຣະຣາມ, pʰrāʔ lāk pʰrāʔ ráːm) is the national epic of the Lao people, an adaptation of the ancient Indian epic Ramayana.

Ramayana reached Laos much later than Cambodia (Reamker) and Thailand (Ramakien) which caused the loss of its original Hindu influence and affected local adaptation. Similar to some Malay versions of the Hikayat Seri Rama, the epic has lost the association with Hinduism and is instead considered a Jataka tale (the Dasaratha Jataka), a previous lifetime of the Buddha.

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Jataka tales in the context of Yama Zatdaw

Yama Zatdaw (Burmese: ရာမဇာတ်တော်, pronounced [jàma̰ zaʔ tɔ̀]), unofficially Myanmar's national epic, is the Burmese version of the Ramayana and Dasaratha Jataka. There are nine known pieces of the Yama Zatdaw in Myanmar. The Burmese name for the story itself is Yamayana, while zatdaw refers to the acted play or being part of jataka tales of Theravada Buddhism.

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Jataka tales in the context of Vessantara Jataka

The Vessantara Jātaka is one of the most popular jātakas of Theravada Buddhism. The Vessantara Jātaka tells the story of one of Gautama Buddha's past lives, about a very compassionate and generous prince, Vessantara, who gives away everything he owns, including his children, thereby displaying the virtue of perfect generosity. It is also known as the Great Birth Sermon.

The tale of Prince Vessantara is celebrated as an annual festival in Thailand, Laos, Myanmar, Sri Lanka and Cambodia.

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