De vulgari eloquentia in the context of "Troubadour"

⭐ In the context of troubadour tradition, how did Dante Alighieri, in *De vulgari eloquentia*, characterize the essence of their lyrical work?

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⭐ Core Definition: De vulgari eloquentia

De vulgari eloquentia (Ecclesiastical Latin: [de vulˈɡari eloˈkwentsi.a], Italian: [de vulˈɡaːri eloˈkwɛntsja]; "On eloquence in the vernacular") is the title of a Latin essay by Dante Alighieri. Although meant to consist of four books, it abruptly terminates in the middle of the second book. It was probably composed shortly after Dante went into exile, circa 1302–1305.

In the first book, Dante discusses the relationship between Latin and the vernacular languages, and the search for an "illustrious" vernacular in the Italian area; the second book is an analysis of the structure of the canto or song (also known as canzuni in Sicilian), which is a literary genre developed in the Sicilian School of poetry.

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👉 De vulgari eloquentia in the context of Troubadour

A troubadour (English: /ˈtrbədɔːr, -dʊər/, French: [tʁubaduʁ] ; Occitan: trobador [tɾuβaˈðu] ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female equivalent is usually called a trobairitz.

The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his De vulgari eloquentia defined the troubadour lyric as fictio rethorica musicaque poita: rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and since died out.

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De vulgari eloquentia in the context of Dante Alighieri

Dante Alighieri (Italian: [ˈdante aliˈɡjɛːri]; most likely baptized Durante di Alighiero degli Alighieri; c. May 1265 – September 14, 1321), widely known mononymously as Dante, was an Italian poet, writer, and philosopher. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language.

At a time when Latin was still the dominant language for scholarly and literary writing—and when many Italian poets drew inspiration from French or Provençal traditions—Dante broke with both by writing in the vernacular, specifically his native Tuscan dialect. His De vulgari eloquentia (On Eloquence in the Vernacular) was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as The New Life (1295) and Divine Comedy helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later follow.

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De vulgari eloquentia in the context of Lombardy (historical region)

Lombardy (Lombard: Lombardia), also called Historical Lombardy (Lombardia storega) or Greater Lombardy (Granda Lombardia), is a name referring to the territory, larger than the modern administrative region of Italy, which culturally, linguistically and politically has been historically considered Lombard.

Originally synonymous with Northern Italy, the definition of Lombardy shrank over time: Dante Alighieri, in his De vulgari eloquentia, recognised the autonomy of Romagna and Genoa from Lombardy. Since the 1400s Piedmont became more and more culturally autonomous from the rest of Lombardy, and by the 1600s there was a substantial partition between Lombardy and Piedmont, the latter being ruled by the House of Savoy.

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