Jangle pop in the context of "Indie rock"

"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.

The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, Alvin and the Chipmunks, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song during one of their rehearsals at World Pacific Studios in late 1964.

Post-punk (or postpunk) is a subgenre and era of rock music that emerged in late 1977 in the wake of punk rock. The concept was originally outlined by Jon Savage in his "New Musick" editorial for Sounds magazine in November 1977. The term has been noted for lacking a universally agreed-upon definition. Post-punk musicians departed from punk's fundamental elements and raw simplicity, adopting instead a broader, more experimental approach that incorporated a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to move beyond rock clichés, artists drew influence from German krautrock and experimented with styles such as funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from modernist art, cinema, literature, and politics. They also established independent record labels, created visual art, staged multimedia performances, and produced fanzines. Among the early post-punk bands, only Siouxsie and the Banshees and Public Image Ltd. achieved commercial success in 1978, with debut singles reaching the top ten of the UK Chart.

Regional scenes developed across Europe alongside new wave music, the most notable being the Netherlands' Ultra movement, Germany's Neue Deutsche Welle, Spain's La Movida Madrileña, and the coldwave scenes in France, Poland, and Belgium, as well as the Soviet and Yugoslav new wave. The original post-punk era emerged in parallel with the no wave and industrial music scenes, and later provided a foundation for British new pop and the Second British Invasion in the United States. Post-punk also influenced the development of numerous alternative and independent music genres, including gothic rock, neo-psychedelia, dark wave, dance-punk, jangle pop, ethereal wave, dream pop, and shoegaze. By the mid-to-late 1980s, post-punk had largely dissipated.