Jan Brueghel the Elder in the context of "Earthly paradise"

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⭐ Core Definition: Jan Brueghel the Elder

Jan Brueghel (also Bruegel or Breughel) the Elder (/ˈbrɔɪɡəl/ BROY-gəl, US also /ˈbrɡəl/ BROO-gəl; Dutch: [ˈjɑm ˈbrøːɣəl] ; 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the younger son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the Flemish Baroque painting of the first three decades of the 17th century.

Brueghel worked in many genres including history paintings, flower still lifes, allegorical and mythological scenes, landscapes and seascapes, hunting pieces, village scenes, battle scenes and scenes of hellfire and the underworld. He was an important innovator who invented new types of paintings such as flower garland paintings, paradise landscapes, and gallery paintings in the first quarter of the 17th century. However, he generally avoided painting large figures, as in portraits, though he often collaborated with other painters who did these, while he did the landscape backgrounds, and sometimes the clothes.

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Jan Brueghel the Elder in the context of Original sin

In Christian theology, original sin (Latin: peccatum originale) is the condition of sinfulness that all humans share, which is inherited from Adam and Eve due to the Fall, involving the loss of original righteousness and the distortion of the Image of God. The biblical basis for the belief is generally found in Genesis 3 (the story of the expulsion of Adam and Eve from the Garden of Eden), and in texts such as Psalm 51:5 ("I was brought forth in iniquity, and in sin did my mother conceive me") and Romans 5:12–21 ("Therefore, just as sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned").

The specific doctrine of original sin was developed in the 2nd century struggle against Gnosticism by Irenaeus of Lyons, and was shaped significantly by Augustine of Hippo (354–430 AD), who was the first author to use the phrase "original sin". Influenced by Augustine, the Councils of Carthage (411–418 AD) and Orange (529 AD) brought theological speculation about original sin into the official lexicon of the Church.

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Jan Brueghel the Elder in the context of Sin

In religious context, sin is a transgression against divine law or a law of the deities. Each culture has its own interpretation of what it means to commit a sin. While sins are generally considered actions, any thought, word, or act considered immoral, selfish, shameful, harmful, or alienating might be termed "sinful".

The concept of sin originates from the Old English synn, tracing back to Proto-Germanic and Proto-Indo-European roots meaning “being” or “truly guilty,” implying a judgment of wrongdoing. Over time, different religions and cultures developed distinct understandings of sin, often shaping moral frameworks and spiritual practices.

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Jan Brueghel the Elder in the context of Garden of Eden

In Abrahamic religions, the Garden of Eden (Biblical Hebrew: גַּן־עֵדֶן, romanized: gan-ʿĒḏen; Greek: Εδέμ; Latin: Paradisus) or Garden of God (גַּן־יְהֹוֶה, gan-YHWH and גַן־אֱלֹהִים, gan-Elohim), also called the Terrestrial Paradise, is the biblical paradise described in Genesis 2–3 and Ezekiel 28 and 31.

The location of Eden is described in the Book of Genesis as the source of four tributaries. Various suggestions have been made for its location: at the head of the Persian Gulf, in southern Mesopotamia where the Tigris and Euphrates rivers run into the sea; and in Armenia. Others theorize that Eden was the entire Fertile Crescent or a region substantial in size in Mesopotamia, where its native inhabitants still exist in cities such as Telassar.

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Jan Brueghel the Elder in the context of Jan Brueghel the Younger

Jan Brueghel (also Bruegel or Breughel) the Younger (/ˈbrɔɪɡəl/ BROY-gəl, US also /ˈbrɡəl/ BROO-gəl; Dutch: [ˈjɑm ˈbrøːɣəl] ; 13 September 1601 – 1 September 1678) was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he largely painted the same subjects as his father in a style which was similar to that of his father. He gradually was able to break away from his father's style by developing a broader, more painterly, and less structured manner of painting. He regularly collaborated with leading Flemish painters of his time.

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Jan Brueghel the Elder in the context of The Garden of Eden with the Fall of Man

The Garden of Eden with the Fall of Man or The Earthly Paradise with the Fall of Adam and Eve (ca. 1615) is a painting by Peter Paul Rubens (figures) and Jan Brueghel the Elder (flora and fauna). It is housed in the Mauritshuis art museum in The Hague, Netherlands. The painting depicts the moment just before the consumption of forbidden fruit and the fall of man.

Adam and Eve are depicted beneath the tree of the knowledge of good and evil, where various fruits grow. On the opposite side the tree of life is depicted, also laden with fruits.

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Jan Brueghel the Elder in the context of Aroma

An odor (American English) or odour (Commonwealth English; see spelling differences) is a smell or a scent caused by one or more volatilized chemical compounds generally found in low concentrations that humans and many animals can perceive via their olfactory system. While smell can refer to pleasant and unpleasant odors, the terms scent, aroma, and fragrance are usually reserved for pleasant-smelling odors and are frequently used in the food and cosmetic industry to describe floral scents or to refer to perfumes.

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Jan Brueghel the Elder in the context of Pieter Brueghel the Younger

Pieter Brueghel (also Bruegel or Breughel) the Younger (/ˈbrɔɪɡəl/ BROY-gəl, also US: /ˈbrɡəl/ BROO-gəl; Dutch: [ˈpitər ˈbrøːɣəl] ; between 23 May and 10 October 1564 – between March and May 1638) was a Flemish painter known for numerous copies after his father Pieter Bruegel the Elder's work, as well as original compositions and Bruegelian pastiches. The large output of his studio (some 1,400 pictures exist with plausible links to Brueghel and his shop), which produced for the local and export market, contributed to the international spread of his father's imagery.

Traditionally Pieter Brueghel the Younger was nicknamed "de helse Brueghel" or "Hellish Brueghel" on the belief that he was the author of several paintings with fantastic depictions of fire and grotesque imagery. These paintings have now been attributed to his brother Jan Brueghel the Elder.

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