Jain art in the context of "Sacred lotus in religious art"

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⭐ Core Definition: Jain art

Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture.

In general Jain art broadly follows the contemporary style of Indian Buddhist and Hindu art, though the iconography, and the functional layout of temple buildings, reflects specific Jain needs. The artists and craftsmen producing most Jain art were probably not themselves Jain, but from local workshops patronized by all religions. This may not have been the case for illustrated manuscripts, where many of the oldest Indian survivals are Jain.

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👉 Jain art in the context of Sacred lotus in religious art

The lotus (Sanskrit: पद्म, romanizedPadmā), Nelumbo nucifera, is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism and Jainism.

In Asian art, a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art and is often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular.

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Jain art in the context of Architecture of India

Indian architecture is rooted in the history, culture, and religion of India. Among multiple architectural styles and traditions, the best-known include the many built in accordance to Indian religion and philosophy with Hindu, Jain, Buddhist, and Sikh styles of architecture being the most prevalent in India, with Indo-Islamic architecture, Rajput architecture, Mughal architecture, South Indian architecture, and Indo-Saracenic architecture having a strong presence as well.

Early Indian architecture was made from wood, which did not survive due to rotting and instability in the structures. Instead, the earliest surviving examples of Indian architecture are Indian rock-cut architecture, including many Buddhist, Hindu, and Jain temples.

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Jain art in the context of Indian art

Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.

The earliest Indian art originated during the prehistoric settlements of the 3rd millennium BCE, such as the rock shelters of Bhimbetka, which contain some of the world’s oldest known cave paintings. On its way to modern times, Indian art has had cultural influences, as well as religious influences such as Hinduism, Buddhism, Jainism, Sikhism and Islam. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups.

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Jain art in the context of Neminath

Neminātha (Devanagari: नेमिनाथ) (Sanskrit: नेमिनाथः), also known as Nemi and Ariṣṭanemi (Devanagari: अरिष्टनेमि), is the twenty-second tirthankara of Jainism in the present age (Avasarpini). Neminath lived 84,000 years before the 23rd Tirthankar Parshvanath. According to traditional accounts, he was born to King Samudravijaya and Queen Shivadevi of the Yadu dynasty in the north Indian city of Sauripura. His birth date was the fifth day of Shravan Shukla of the Jain calendar. Balarama and Krishna, who were the 9th and last Baladeva and Vasudeva respectively, were his first cousins.

Neminatha, when heard the cries of animals being killed for his marriage feast, freed the animals and renounced his worldly life and became a Jain ascetic. The representatives of this event are popular in Jain art. He had attained moksha on Girnar Hills near Junagadh, and became a siddha, a liberated soul which has destroyed all of its karma.

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