Italianate in the context of "Royal Saint-Hubert Galleries"

Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane.

The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable land and orchards, later referred to as "the garden of the Abbey and Convent", and later "the Convent Garden". Following the Dissolution of the Monasteries it was granted in 1552 by the young King Edward VI to John Russell, 1st Earl of Bedford (c.1485–1555), the trusted adviser to his father King Henry VIII. The 4th Earl commissioned Inigo Jones to build some fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Paul's. The design of the square was new to London and had a significant influence on modern town planning, acting as the prototype for new estates as London grew.

Renaissance Revival architecture (sometimes referred to as "Neo-Renaissance") is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present (Second Empire).

The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. A comparison between the breadth of its source material, such as the English Wollaton Hall, Italian Palazzo Pitti, the French Château de Chambord, and the Russian Palace of Facets—all deemed "Renaissance"—illustrates the variety of appearances the same architectural label can take.

Illusionistic tradition is a style of theatre that was created in Italy during the Renaissance. Its focus was primarily centered on grandiose spectacle in theatrical performance. Stages made use of Italianate scenery, including Proscenium arch, perspective, border flats, and a raked stage to create a visual image that had never before been used.

Saint Petersburg City Duma was established in 1785 in the course of Catherine the Great's municipal reform. Emperor Paul replaced it by the so-called Ratusha, but his son, Alexander I, had the Duma restored four years later. The next emperor, Nicholas I, expanded the institution from six to twelve members in 1846. Alexander II of Russia reorganized it once again during the Zemstvo reform of the 1870s. In September 1918 the Duma was abolished and its functions devolved on the Petrograd Soviet.

The Neoclassical headquarters of the Duma were erected on the main city avenue, Nevsky Prospekt, between 1784 and 1787. The famous Italianate tower was added in 1799–1804 to a design by Giacomo Ferrari. In 1847–52, the edifice was rebuilt in the Neo-Renaissance style, favoured by Nicholas I. Two more floors were added to the building in 1913–14. A spacious central hall of the City Duma was frequently let to host high-profile social events.