Italian architect in the context of "Emilio De Fabris"

⭐ In the context of Emilio De Fabris, Italian architecture is represented by his involvement in the design of which Florentine building alongside Michelangelo Maiorfi?

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⭐ Core Definition: Italian architect

Following is a list of Italian architects.

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👉 Italian architect in the context of Emilio De Fabris

Emilio De Fabris (28 October 1808 – 3 June 1883) was an Italian architect best known for his design of the west facade of the Santa Maria del Fiore cathedral in Florence, Italy.

De Fabris was born in Florence, Italy. He initially studied at the Academy of Fine Arts in Florence, then traveled to Rome, where he met the archeologist Antonio Nibby and to Venice where he met the historian and art-critic Pietro Selvatico. In 1857–1860, he helped design, alongside Michelangelo Maiorfi, the Palazzo della Borsa in Florence. He was professor at the Florentine Academy of Fine Arts and Architect to the Opera di Santa Croce.

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Italian architect in the context of Arnolfo di Cambio

Arnolfo di Cambio (c. 1240 – 1300/1310) was an Italian architect and sculptor of the Duecento, who began as a lead assistant to Nicola Pisano. He is documented as being capomaestro or Head of Works for Florence Cathedral in 1300, and designed the sixth city wall around Florence (1284–1333).

By the end of his career he evidently had one or more workshops of some size, producing work with considerable stylistic variation, and distinguishing his personal hand can be difficult.

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Italian architect in the context of Gian Lorenzo Bernini

Gian Lorenzo (or Gianlorenzo) Bernini (UK: /bɛərˈnni/, US: /bərˈ-/; Italian: [ˈdʒan loˈrɛntso berˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor, architect, painter and city planner. Bernini's creative abilities and mastery in a range of artistic arenas define him as a uomo universale or Renaissance man. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.

As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.

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