Italian Renaissance sculptor in the context of "Orcagna"

Luca della Robbia (/ˌdɛlə ˈrɒbiə/, also US: /- ˈroʊb-/, Italian: [ˈluːka della ˈrobbja, - ˈrɔb-]; 1399/1400–1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, tin-glazed terracotta statuary, a technique that he invented and passed on to his nephew Andrea della Robbia and great-nephews Giovanni della Robbia and Girolamo della Robbia. Although a leading sculptor in stone, after developing his technique in the early 1440s he worked primarily in terracotta. His large workshop produced both less expensive works cast from molds in multiple versions, and more expensive one-off individually modeled pieces.

The vibrant, polychrome glazes made his creations both more expressive and more durable. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are The Nativity (c. 1460) and Madonna and Child (c. 1475). In stone, his most famous work is also his first major commission, the choir gallery, Cantoria in the Florence Cathedral (1431–1438).

Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.

Lorenzo Ghiberti (UK: /ɡɪˈbɛərti/, US: /ɡiːˈ-/, Italian: [loˈrɛntso ɡiˈbɛrti]; né di Bartolo; 1378 – 1 December 1455) was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of Commentarii contains important writing on art, as well as what may be the earliest surviving autobiography by any artist.

Ghiberti's career was dominated by his two successive commissions for pairs of bronze doors to the Florence Baptistery (Battistero di San Giovanni). They are recognized as a major masterpiece of the Early Renaissance, and were famous and influential from their unveiling.

Jacopo d'Antonio Sansovino (2 July 1486 – 27 November 1570) was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his Vita of Sansovino separately.

Andrea della Robbia (20 October 1435 – 4 August 1525) was an Italian Renaissance sculptor, especially in ceramics.

Giovanni della Robbia (1469–1529) was an Italian Renaissance sculptor, mostly in ceramics.

Girolamo della Robbia (1488 – 4 August 1566) was an Italian Renaissance sculptor, mostly in the family style of glazed terracotta, the youngest son of Andrea della Robbia, together with his brother Giovanni della Robbia were among the most active collaborators in the family workshop.

Baccio Bandinelli (also called Bartolomeo Brandini; 12 November 1493 – shortly before 7 February 1560), was an Italian Renaissance sculptor, draughtsman, and painter.

Giovanni di Antonio di Banco, called Nanni di Banco (c. 1374 – 1421), was an Italian Renaissance sculptor from Florence. He was a contemporary of Donatello – both are first recorded as sculptors in the accounts of the Florence Duomo in 1406, presumably as young masters. He is one of the artists whose work manifested the transition from Gothic to Renaissance art in the city, finding inspiration in classical Roman sculpture and bringing a new naturalism to Florentine art.