Bernardo di Matteo del Borra Gamberelli (1409–1464), better known as Bernardo Rossellino, was an Italian Renaissance sculptor and architect, the elder brother of the sculptor Antonio Rossellino. As a member of the second generation of Renaissance artists, he helped to further define and popularize the revolution in artistic approach that characterized the new age. His work is often hard to distinguish from that of his brothers (three in all) working in the family workshop.
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Bernardo Rossellino in the context of Italian Renaissance sculpture
Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and the uses to which sculpture was put. In complete contrast to painting, there were many surviving Roman sculptures around Italy, above all in Rome, and new ones were being excavated all the time, and keenly collected. Apart from a handful of major figures, especially Michelangelo and Donatello, it is today less well-known than Italian Renaissance painting, but this was not the case at the time.
Italian Renaissance sculpture was dominated by the north, above all by Florence. This was especially the case in the quattrocento (15th century), after which Rome came to equal or exceed it as a centre, though producing few sculptors itself. Major Florentine sculptors in stone included (in rough chronological order, with dates of death) Orcagna (1368), Nanni di Banco (1421), Filippo Brunelleschi (1446), Nanni di Bartolo (1451), Lorenzo Ghiberti (1455), Donatello (1466), Bernardo (1464) and his brother Antonio Rossellino (1479), Andrea del Verrocchio (1488), Antonio del Pollaiuolo (1498), Michelangelo (1564), and Jacopo Sansovino (1570). Elsewhere there was the Siennese Jacopo della Quercia (1438), from Lombardy Pietro Lombardo (1515) and his sons, Giovanni Antonio Amadeo (1522), Andrea Sansovino (1529), Vincenzo Danti (1576), Leone Leoni (1590), and Giambologna (1608, born in Flanders).
Bernardo Rossellino in the context of Antonio Rossellino
Antonio Gamberelli (1427–1479), nicknamed Antonio Rossellino for the colour of his hair, was an Italian Renaissance sculptor. His older brother, from whom he received his formal training, was the sculptor and architect Bernardo Rossellino.
Born in Settignano, now a part of Florence, he was the youngest of five brothers, sculptors and stonecutters. He is said to have studied under Donatello and is remarkable for the sharpness and fineness of his bas-relief. His most important works are the funeral monument of Beato Marcolino (1458) for the Blackfriar Church (today a museum), Forlì, and the monument of Infante James of Coimbra, cardinal of Portugal in the Basilica di San Miniato al Monte, Florence (1461–1467).