The Istanbul Archaeology Museums (Turkish: İstanbul Arkeoloji Müzeleri) are a group of three archaeological museums located in the Eminönü quarter of Istanbul, Turkey, near Gülhane Park and Topkapı Palace. These museums house over one million objects from nearly all periods and civilizations in world history.
The Istanbul Archaeology Museums consists of three museums:
In classical and late antiquity wreaths or crowns (Ancient Greek: στέφανος, romanized: stéphanos, lit. 'wreath', 'crown'; Latin: corona, lit. 'wreath', 'garland', 'chaplet') usually made of vegetation or precious metals were worn on ceremonial occasions and were awarded for various achievements. The symbolism of these different types of wreaths depended on their composition; different crowns were worn and awarded for different purposes. Such wreaths or crowns were represented in classical architecture, in ancient Greek art and sculpture, and in Roman art and sculpture. As well as being awarded for merit and military conduct, they were worn by orators, priests performing sacrifices, by the chorus in ancient Greek drama, and by attendees of a symposium.
From Archaic Greece until late antiquity, wreaths were the prizes competed for at the Panhellenic Games – the Olympic, Pythian, Nemean, and Isthmian Games – the "crown games", each with a different vegetation crown awarded. In the military of ancient Rome, wreaths were among the traditional Roman military decorations; as a result of the revival in ancient artistic and literary models in the Renaissance they are frequently encountered in Western art and heraldry.
Negative liberty, or negative freedom, is freedom from interference by other people. Negative liberty is primarily concerned with freedom from external restraint and contrasts with positive liberty (the possession of the power and resources to fulfill one's own potential). The distinction originated with Bentham, was popularized by T. H. Green and Guido De Ruggiero, and is now best known through Isaiah Berlin's 1958 lecture "Two Concepts of Liberty".
In Greek mythology, the satyr Marsyas (/ˈmɑːrsiəs/; Ancient Greek: Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe (aulos) that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. Literary sources from antiquity often emphasize the hubris of Marsyas and the justice of his punishment.
One strand of modern comparative mythography regards the domination of Marsyas by Apollo as an example of myth that recapitulates a supposed supplanting by the Olympian pantheon of an earlier "Pelasgian" religion of chthonic heroic ancestors and nature spirits.Marsyas was a devoté of the ancient Mother Goddess Rhea/Cybele, and the mythographers situate his episodes in Celaenae (or Kelainai), in Phrygia, at the main source of the Meander (the river Menderes in Turkey).
Osman Hamdi Bey (30 December 1842 – 24 February 1910) was an Ottoman Turkish administrator, intellectual, art expert and also a prominent and pioneering painter. He was the Ottoman Empire's first modern archaeologist, and is regarded as the founding father of both archaeology and the museum curator's professions in Turkey. He was the founder of Istanbul Archaeology Museums and of the Istanbul Academy of Fine Arts (Turkish: Sanayi-i Nefise Mektebi) known today as the Mimar Sinan Fine Arts University. He was also the first mayor of Kadıköy.