Isabella Stewart Gardner Museum in the context of "Portrait of a Woman (Pollaiuolo)"

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⭐ Core Definition: Isabella Stewart Gardner Museum

The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever."

The museum opened in 1903. An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012.

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👉 Isabella Stewart Gardner Museum in the context of Portrait of a Woman (Pollaiuolo)

Portrait of a Woman is a c.1475 tempera and oil on panel painting by Antonio or Piero del Pollaiuolo. It has been in the Uffizi in Florence since 1861. Since 1861 it has been misattributed to Piero della Francesca, a young Leonardo da Vinci and Cosimo Rosselli.

It forms part of a group of profile portraits of women which also includes one in Milan, one at the Metropolitan Museum of Art, one in the Isabella Stewart Gardner Museum and another at the Gemäldegalerie, Berlin. Berenson attributes the more accomplished works in the group to Antonio and the others (along with the weaker sections of the better works) to Piero. Other art historians attribute them all to Piero on the grounds that Vasari mentions Antonio only as an engraver and sculptor and not as a painter. A third group attributes all the profiles to Piero and other mythological, action and battle scenes among the Pollaiolo oeuvre to Antonio.

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Isabella Stewart Gardner Museum in the context of Art theft

Art theft is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.

Some famous art theft cases include the robbery of the Mona Lisa from the Louvre in 1911 by employee Vincenzo Peruggia. Another was the theft of The Scream, stolen from the Munch Museum in 2004, but recovered in 2006. The largest-value art theft occurred at the Isabella Stewart Gardner Museum in Boston, when 13 works, worth a combined $500 million were stolen in 1990. The case remains unsolved. Large-scale art thefts include the Nazi looting of Europe during World War II and the Russian looting of Ukraine during the 2022 Russian invasion of Ukraine. More recently French crown jewels were stolen from the Louvre in 2025.

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Isabella Stewart Gardner Museum in the context of The Storm on the Sea of Galilee

Christ in the Storm on the Sea of Galilee is a 1633 oil-on-canvas painting by the Dutch Golden Age painter Rembrandt van Rijn. It is classified as a history painting and ranks among the largest and earliest of Rembrandt's works. Purchased by art historian Bernard Berenson for Isabella Stewart Gardner in 1898 (not 1869 as previously noted, correcting an error based on historical records), it was displayed at the Isabella Stewart Gardner Museum in Boston until its theft in 1990; its whereabouts remain unknown. The painting vividly portrays the biblical miracle in which Jesus calmed the storm on the Sea of Galilee, as recounted in the fourth chapter of the Gospel of Mark. Notably, it is Rembrandt's only known seascape, distinguishing it within his oeuvre.

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Isabella Stewart Gardner Museum in the context of Isabella Stewart Gardner Museum theft

In the early hours of March 18, 1990, 13 works of art were stolen from the Isabella Stewart Gardner Museum in Boston. Security guards admitted two men posing as policemen responding to a disturbance call, and the thieves bound the guards and looted the museum over the next hour. The case is unsolved; no arrests have been made and no works have been recovered. The stolen works have been valued at hundreds of millions of dollars by the FBI and art dealers. The museum offers a $10 million reward for information leading to the art's recovery, the largest bounty ever offered by a private institution.

The stolen works were originally procured by art collector Isabella Stewart Gardner (1840–1924) and were intended for permanent display at the museum with the rest of her collection. Among them was The Concert, one of only 34 known paintings by Johannes Vermeer and thought to be the most valuable unrecovered painting in the world. Also missing is The Storm on the Sea of Galilee, Rembrandt's only seascape. Other paintings and sketches by Rembrandt, Edgar Degas, Édouard Manet and Govert Flinck were stolen, along with a relatively valueless eagle finial and Chinese gu. Experts were puzzled by the choice of artwork, as more valuable works were left untouched. As the collection and its layout are intended to be permanent, empty frames remain hanging both in homage to the missing works and as placeholders for their return.

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