Iranian architecture in the context of "Parthian style"

The culture of Iran (Persian: فرهنگ ایران) or culture of Persia is one of the oldest and among the most influential in the world. Iran (Persia) is widely regarded as one of the cradles of civilization. Because of its dominant geopolitical position in the world, it has heavily influenced peoples and cultures situated in Southern and Eastern Europe to the west; Central Asia to the north; and South Asia, East Asia, and Southeast Asia to the east. Iranian history has significantly influenced the world through art, architecture, poetry, science and technology, medicine, philosophy, and engineering.

An "eclectic cultural elasticity" has been said to be one of the key defining characteristics of the Iranian identity and a clue to its historical longevity.

Persian art or Iranian art (Persian: هنر ایرانی, romanized: Honar-è Irâni) has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.

From the Achaemenid Empire of 550 BC–330 BC for most of the time a large Iranian-speaking state has ruled over areas similar to the modern boundaries of Iran, and often much wider areas, sometimes called Greater Iran, where a process of cultural Persianization left enduring results even when rulership separated. The courts of successive dynasties have generally led the style of Persian art, and court-sponsored art has left many of the most impressive survivals.

Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.

Early Islamic architecture was influenced by Roman, Byzantine, Iranian, and Mesopotamian architecture and all other lands which the early Muslim conquests conquered in the seventh and eighth centuries. Later it developed distinct characteristics in the form of buildings and in the decoration of surfaces with Islamic calligraphy, arabesques, and geometric motifs. New architectural elements like minarets, muqarnas, and multifoil arches were invented. Common or important types of buildings in Islamic architecture include mosques, madrasas, tombs, palaces, hammams (public baths), Sufi hospices (e.g. khanqahs or zawiyas), fountains and sabils, commercial buildings (e.g. caravanserais and bazaars), and military fortifications.

The Arts of Iran include a variety of traditional disciplines, including architecture, painting, literature, music, weaving, pottery, calligraphy, and metalwork.

Today, there is an active modern Iranian art scene, including cinema and photography. For a history of Persian visual art up to the early 20th century, see Persian art or Iranian architecture.

Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation (Persepolis, Susa, Ecbatana), temples made for worship and social gatherings (such as Zoroastrian temples), and mausoleums erected in honor of fallen kings (such as the burial tomb of Cyrus the Great). Achaemenid architecture was influenced by Mesopotamian, Assyrian, Egyptian, Elamite, Lydian, Greek and Median architecture. The quintessential feature of Persian architecture was its eclectic nature with foreign elements, yet producing a unique Persian identity seen in the finished product. Achaemenid architecture is academically classified under Persian architecture in terms of its style and design.

Achaemenid architectural heritage, beginning with the expansion of the empire around 550 B.C., was a period of artistic growth that left an extraordinary architectural legacy ranging from Cyrus the Great's solemn tomb in Pasargadae to the splendid structures of the opulent city of Persepolis. With the advent of the Second Persian Empire, the Sasanian dynasty (224–624) revived Achaemenid tradition by constructing temples dedicated to fire, and monumental palaces.

The Sheikh Lotfollah Mosque (Persian: مسجد شیخ لطف الله, romanized: Masjed-e Shaykh Lotfollah;) is a Shi'ite mosque, located on the eastern side of Naqsh-e Jahan Square, Isfahan, Iran. Construction of the mosque started in 1011 AH (1602/1603 CE) and was finished in 1028 AH (1618/1619CE). It is one of the masterpieces of Iranian architecture from the Safavid era. It was designed by the chief architect Muhammad Reza during the reign of Shah Abbas the Great. On the advice of Arthur Upham Pope, Reza Shah Pahlavi had the mosque restored in the 1920s.

The Sheikh Lotfollah Mosque, completed in the Safavid style, is one of the most important architectural projects built on Isfahan's maidan, prominent for its location, scale, design, and ornamentation. The mosque is registered, along with the Naghsh-e Jahan Square and other surrounding structures, as a UNESCO World Heritage Site; and was added to the Iran National Heritage List on 6 January 1932, administered by the Cultural Heritage, Handicrafts and Tourism Organization of Iran.