Inigo Jones in the context of "Neo-Palladian"

Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane.

The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arable land and orchards, later referred to as "the garden of the Abbey and Convent", and later "the Convent Garden". Following the Dissolution of the Monasteries it was granted in 1552 by the young King Edward VI to John Russell, 1st Earl of Bedford (c.1485–1555), the trusted adviser to his father King Henry VIII. The 4th Earl commissioned Inigo Jones to build some fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Paul's. The design of the square was new to London and had a significant influence on modern town planning, acting as the prototype for new estates as London grew.

The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's 6th-century Etymologiae and refined during the Italian Renaissance.

Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of Regole generali di architettura sopra le cinque maniere de gli edifici (1537). Though Fra Giocondo had attempted a first illustration of a Tuscan capital in his printed edition of Vitruvius (1511), he showed the capital with an egg and dart enrichment that belonged to the Ionic. The "most rustic" Tuscan order of Serlio was later carefully delineated by Andrea Palladio.

The Palace of Whitehall – also spelled White Hall – at Westminster was the main residence of the English monarchs from 1530 until 1698, when most of its structures, with the notable exception of Inigo Jones's Banqueting House of 1622, were destroyed by fire. Henry VIII moved the royal residence to Whitehall after the old royal apartments at the nearby Palace of Westminster were themselves destroyed by fire. Although the Whitehall palace has not survived, the area where it was located is still called Whitehall and has remained a centre of the British government.

Whitehall was at one time the largest palace in Europe, with more than 1,500 rooms, before itself being overtaken by the expanding Palace of Versailles, which was to reach 2,400 rooms. At its most expansive, the palace extended over much of the area bordered by Northumberland Avenue in the north; to Downing Street and nearly to Derby Gate in the south; and from roughly the elevations of the current buildings facing Horse Guards Road in the west, to the then banks of the River Thames in the east (the construction of Victoria Embankment has since reclaimed more land from the Thames)—a total of about 23 acres (9.3 ha). It was about 710 yards (650 m) from Westminster Abbey.

Francis Russell, 4th Earl of Bedford PC (1587 – 9 May 1641) was an English nobleman and politician. He built the square of Covent Garden, with the piazza and St Paul's Church, employing Inigo Jones as his architect. He is also known for his pioneering project to drain The Fens of Cambridgeshire.

St Paul's Church is a Church of England parish church located in Bedford Street, Covent Garden, central London. It was designed by Inigo Jones as part of a commission for the 4th Earl of Bedford in 1631 to create "houses and buildings fit for the habitations of Gentlemen and men of ability". Initially serving as an auxiliary chapel for the St. Martin-in-the-Fields parish, it was raised to a parish church with a dedication to Saint Paul in 1646, as the Covent Garden district expanded. The church is nicknamed "the actors' church" by a long association with the theatre community, particularly in the West End.

Completed in 1633, St Paul's was the first entirely new church to be built in London since the Reformation. Its design and the layout of the square have been attributed to Inigo Jones since the 17th century, although firm documentary evidence is lacking. According to an often repeated story, recorded by Horace Walpole, Lord Bedford asked Jones to design a simple church "not much better than a barn", to which the architect replied "Then you shall have the handsomest barn in England".

The Vyne is a Grade I listed 16th-century country house in the parish of Sherborne St John, near Basingstoke, in Hampshire, England. The house was first built circa 1500–10 in the Tudor style by William Sandys, 1st Baron Sandys, Lord Chamberlain to King Henry VIII. In the 17th century it was transformed to resemble a classical mansion. Today, although much reduced in size, the house retains its Tudor chapel, with contemporary stained glass. The classical portico on the north front was added in 1654 to the design of John Webb, a pupil of Inigo Jones, and is notable as the first portico in English domestic architecture.

In the mid-18th century the house belonged to John Chaloner Chute, a close friend of the architectural pioneer Horace Walpole, who designed the principal stair hall containing an imperial staircase the grand scale of which belies its true small size. In 1958 The Vyne was bequeathed by Charles Chute to the National Trust.

The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully.

The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising Pericles, Prince of Tyre; Cymbeline; The Winter's Tale; and The Tempest. The Two Noble Kinsmen, of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's Shakspere (1877). Later writers have generally been content to adopt Dowden's term.

Shakespeare's plays cannot be precisely dated, but it is generally agreed that these comedies followed a series of tragedies including Othello, King Lear and Macbeth. Shakespeare wrote tragedies because their productions were financially successful, but he returned to comedy towards the end of his career, mixing it with tragic and mystical elements. Shakespeare's late romances were also influenced by the development of tragicomedy and the extreme elaboration of the courtly masque as staged by Ben Jonson and Inigo Jones. The subjects and style of these plays were also influenced by the preference of the monarch, by Shakespeare's ageing company and by their more upper class audiences.

51°30′58″N 0°07′00″W / 51.5161°N 0.1166°W / 51.5161; -0.1166

Lincoln's Inn Fields is located in Holborn and is the largest public square in London. It was laid out in the 1630s under the initiative of the speculative builder and contractor William Newton, "the first in a long series of entrepreneurs who took a hand in developing London", as Sir Nikolaus Pevsner observes. The original plan for "laying out and planting" these fields, drawn by the hand of Inigo Jones, was said still to be seen in Lord Pembroke's collection at Wilton House in the 19th century, but its location is now unknown.